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Matt Maeson © Alexis Gross
Debut, Features, Interviews, MusicApril 5, 2019<April 5, 2019

Interview: Don’t Bank on the Funeral, Bank on Matt Maeson

by Audrey Steeves
"Deer Head" by Megan Nash
Music, Music Videos, PremieresApril 5, 2019<April 5, 2019

Premiere: Megan Nash’s “Deer Head” Is a Raw, Aching Anthem for the Heavy-Hearted

by Mitch Mosk
Everything Not Saved Will Be Lost - Part 1 - Foals
Music, Reviews, Track-by-TrackApril 5, 2019<April 5, 2019

The Long-Awaited Return of Foals: A Band Who Only Get Better with Age

by Hermione Kellow
The Black Keys © Alysse Gafkjen
Features, Music, ReviewsApril 5, 2019<April 5, 2019

The Black Keys Are Back! What Does That Mean?

by Anthony Kozlowski
girl in red © Jonathan Vivaas Kise
Columns, Music, Today's SongApril 5, 2019<April 5, 2019

Perceive Youth & Adolescent Predilections Differently with girl in red’s “Say Anything”

by Jesse Herb
No Saviors EP - CLAVVS
Music, Reviews, Track-by-TrackApril 4, 2019<April 4, 2019

Track-by-Track: The Intimate Seduction of CLAVVS’ ‘No Saviors’ EP

by Mitch Mosk
The Away Days © 2019
Music, PremieresApril 4, 2019<April 4, 2019

Premiere: Dream Pop Duo The Away Days Return with Poignant & Soaring “Designed”

by Mitch Mosk
Sego Sucks
Music, Reviews, Track-by-TrackApril 4, 2019<April 4, 2019

Track-by-Track: Sego Crush Expectations with Sophomore LP ‘Sego Sucks’

by Coco Rich
All I Do Is Bleed - Patrick Ames
Music, ReviewsApril 4, 2019<April 4, 2019

EP Review: Take It Easy with Patrick Ames’ ‘All I Do Is Bleed’

by Carolyn Fasone
Catfish and the Bottlemen © 2015
Columns, Music, Reviews, Today's SongApril 4, 2019<April 4, 2019

Catfish and the Bottlemen’s “Tyrants” Will Always Be the Perfect Closing Song

by Monica Mellon
Mike Mains & The Branches © Elijah VanDine
Features, Interviews, MusicApril 4, 2019<April 4, 2019

Coated in Sugar: A Conversation with Mike Mains & The Branches

by James Crowley
ladysse © Raymond Rivard
Music, PremieresApril 4, 2019<April 4, 2019

Premiere: Ladysse Portrays the Lesser-Known Side of Fame in “Heartbreak Hollywood”

by Alicia Bugallo
Aisha Badru © Melissa Ann Photography
Music, PremieresApril 4, 2019<April 4, 2019

Premiere: Aisha Badru’s “Enough” Encourages Strength During Moments of Sadness

by Frankie Rose
Anima & Ennui © Jay Messenger
Debut, Music, PremieresApril 3, 2019<April 3, 2019

Premiere: Anima & Ennui Embrace Life in Haunting Debut “Nothing Better”

by Mitch Mosk
Brillboard 2019-04-03
Brillboard, Music, PlaylistsApril 3, 2019<April 3, 2019

The Brillboard: Space, 04/03/2019

by Jason Brillon
Posts pagination
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Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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