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Band of Skulls © John Ros
Features, Interviews, MusicMay 22, 2019<May 22, 2019

Feature: Band of Skulls Have a New Sheen, but the Same Good Heart

by Danny Vagnoni
Dantevilles © Nidge Saunders
Music, PremieresMay 22, 2019<May 22, 2019

Premiere: Dantevilles’ Thrilling “Fool for You” Is a Sound-Driven Saga of Foolish Love

by Christine Costello
When I Get Home - Solange
Music, ReviewsMay 22, 2019<August 5, 2021

Solange’s Gorgeous ‘When I Get Home’ Melds Floor-Shaking Beats with Dizzying Songwriting

by Atwood Magazine Staff
ESS SEE © Jonathan Frey
Music, Music Videos, PremieresMay 21, 2019<May 21, 2019

Premiere: ESS SEE Embraces Imperfection in Beautifully Vulnerable “Slip Slide”

by Mitch Mosk
Readjusting the Locks - Institute
Music, Our Take, ReviewsMay 21, 2019<May 21, 2019

Our Take: Institute’s ‘Readjusting the Locks’ Gives a Firm Middle Finger to the Establishment

by Kareem Ghezawi
Trudy and the Romance by Chloe Sheppard
Columns, Music, Today's SongMay 21, 2019<June 5, 2019

Trudy and the Romance Provide Retro Throwbacks on Delightfully Dreamy “That’s Not Me”

by Adrian Vargas
Arius Photography © 2016
Music, PremieresMay 21, 2019<May 21, 2019

Premiere: The Big Takeover’s Jangly, Retro-Inspired “Shy”

by Mariel Fechik
Lauren Crosby © Dear Jenna Photography
Music, PremieresMay 20, 2019<May 20, 2019

Premiere: Lauren Crosby’s Charmingly Frustrated “I Work, I Work, I Work”

by Mitch Mosk
Meiko © William Aubrey Reynolds
Features, Music, Premieres, ReviewsMay 20, 2019<May 20, 2019

Album Premiere: Moving On with Meiko’s Breathtakingly Intimate ‘In Your Dreams’

by Mitch Mosk
GRAACE © Rebecca Parsons
Columns, Music, Today's SongMay 20, 2019<June 5, 2019

Today’s Song: GRAACE Stuns with the Grippingly Emotional “Have Fun at Your Party”

by Luke Pettican
La Bouquet © Joshua Schultz
Debut, Features, Interviews, MusicMay 17, 2019<May 18, 2019

Uncovering ‘Sad People Dancing’: La Bouquet’s Heartbreak, Self-Discovery, and Everything In-Between

by Caitlin Ison
Craig Finn © Shervin Lainez
Columns, Music, Today's SongMay 17, 2019<June 5, 2019

Today’s Song: Craig Finn Confronts Strung Out Friends in “A Bathtub in the Kitchen”

by James Crowley
Alycia Lang © 2019
Music, PremieresMay 16, 2019<May 17, 2019

Premiere: Alycia Lang Debuts with Emotion & Empowerment in ‘MakeShift’ EP

by Mitch Mosk
SOAPBOX VOL 1 - ATUSJI
Debut, Music, PremieresMay 16, 2019<May 16, 2019

EP Premiere: The Cathartic Therapy of ATUSJI’s Debut ‘SOAPBOX VOL 1’

by Mitch Mosk
Dedicated - Carly Rae Jepsen
Music, Our Take, ReviewsMay 16, 2019<May 17, 2019

Our Take: The Strength and Maturity of Carly Rae Jepsen’s ‘Dedicated’

by Danny Vagnoni
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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