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Tank and The Bangas
Music, ReviewsMay 16, 2019<May 23, 2019

Review: Tank and The Bangas’ Luminous, Theatrical Album ‘Green Balloon’

by Mariel Fechik
Bedroom © 2019
Music, PremieresMay 16, 2019<May 16, 2019

Premiere: Bedroom Returns with Raw Piano Dream “Count to Five”

by Mitch Mosk
Columns, Music, Music Videos, Today's SongMay 16, 2019<June 5, 2019

Navigating Bright, Lonely Summer Days with Los Retros’ “Someone to Spend Time With”

by Adrian Vargas
Last Vacation © Kristin Otharsson
Music, PremieresMay 15, 2019<May 15, 2019

Premiere: Last Vacation’s Debut “Neon Home” is a Dreamy New Beginning

by Mitch Mosk
Geographer © Brittany O'Brien
Music, Music Videos, PremieresMay 15, 2019<May 15, 2019

Premiere: Geographer’s Intimate “Love Is Wasted in the Dark” Hits with a Tidal Force

by Mitch Mosk
LYYN © Bao Ngo
Music, PremieresMay 15, 2019<May 15, 2019

Premiere: The Icy Cool Chill of LYYN’s Lovelorn “Our Place”

by Mitch Mosk
Divinely Uninspired to a Hellish Extent - Lewis Capaldi
Debut, Features, Interviews, MusicMay 15, 2019<May 15, 2019

‘Divinely Uninspired’ and Beautifully Aching: An Interview with Lewis Capaldi

by Luke Pettican
Cole DeGenova © Chris Free
Interviews, MusicMay 14, 2019<May 14, 2019

Interview: Cole DeGenova Comes into His Own with “Full Grown”

by Coco Rich
Mitch McAteer
Debut, Music, PremieresMay 14, 2019<May 14, 2019

EP Premiere: ‘Lost in the Wild’ of Ireland’s Folk Scene with Mitch McAteer’s Debut

by Audrey Steeves
New Swears (L to R): Stoney, Nick Nofun, Sammy Scorpion, Beej Eh, Handsome Mike © New Swears
Music, Music Videos, PremieresMay 14, 2019<May 14, 2019

Premiere: New Swears Unleash “Concrete Cowboy” with Rock and Raw Passion

by Mitch Mosk
Lil Nas X © Eric Lagg
Columns, Music, Tunes & TumblersMay 14, 2019<April 30, 2023

Tunes & Tumblers: Raising a Glass with Lil Nas X

by Anthony Kozlowski
Reese McHenry © Jillian Clark
Music, ReviewsMay 14, 2019<May 14, 2019

Review: Reese McHenry Roars into Our Ears & Hearts with Blistering LP ‘No Dados’

by Oliver Crook
Scott Lavene © 2019
Music, Music Videos, PremieresMay 14, 2019<May 14, 2019

Premiere: Scott Lavene Finds the Wonder in the Ordinary on “Superclean”

by Anthony Kozlowski
Lauren Ruth Ward © Nicol Biesek
Columns, Music, Today's SongMay 13, 2019<June 5, 2019

Today’s Song: Lauren Ruth Ward’s Mystic, Dreamy “Hungry Barber” Challenges the Mainstream

by Alicia Bugallo
DENNY © Poshboy
Music, Music Videos, PremieresMay 13, 2019<May 13, 2019

Premiere: The Dark Fury of DENNY’s Unapologetic “Woke Up in the Hills”

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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