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Perfume Genius © Angel Ceballos
Columns, Music, Nostalgia TracksMay 2, 2019<May 2, 2019

Nostalgia Tracks: Perfume Genius Airs on the Macabre Side of Coming Out with “Dirge”

by Jesse Herb
Bastille © Piczo 2019
Columns, Music, Today's SongMay 2, 2019<May 2, 2019

Today’s Song: Bastille’s “Doom Days” Sets the Tone for an Apocalyptic Party Album

by Harper Beattie
Curli. © Curli.
Debut, Music, PremieresMay 2, 2019<March 2, 2025

Premiere: Curli. Makes a Splash in Debut Single “worth”

by Lindsay Call
Charlie Straw © 2019
Music, PremieresMay 2, 2019<May 2, 2019

Premiere: Charlie Straw Embraces Vulnerability in Blissful “Broken Paradise”

by Ben Beamish
Marissa Nadler & Stephen Brodsky - Droneflower Cover Art
Music, Our Take, ReviewsMay 2, 2019<May 2, 2019

Our Take: Marissa Nadler & Stephen Brodsky’s Beautiful, Haunting ‘Droneflower’

by Kareem Ghezawi
Jazz Morley © Jazz Morley 2019
Music, PremieresMay 2, 2019<May 2, 2019

Premiere: Jazz Morley Gives a Voice to the Other Woman with “Parallel World”

by Alicia Bugallo
Features, Interviews, Music, Music Videos, PremieresMay 1, 2019<May 3, 2019

WILSN Ignites with Inspiring Anthem “Fight Like A Girl”

by Mitch Mosk
Mercury Slim © 2019
Concerts, MusicMay 1, 2019<April 30, 2019

Live: Mercury Slim’s Intimate Night at The Study

by Carolyn Fasone
Editor's Picks 04-29-2019
Columns, Editor's Picks, Features, MusicMay 1, 2019<May 9, 2019

Editor’s Picks: April 29, 2019

by Mitch Mosk
Music, VariationsMay 1, 2019<June 19, 2019

Variations: Max Richter’s “My Brilliant Friend” Soundtrack and the Contemporary Classical Movement Towards the Mainstream

by Coco Rich
Brillboard 2019-05-01 Water
Brillboard, Music, PlaylistsMay 1, 2019<May 1, 2019

The Brillboard: Water, 5/01/2019

by Jason Brillon
Young the Giant © Wesley Yen
Features, Interviews, MusicMay 1, 2019<July 3, 2019

Illusion, Reality, and Young the Giant’s ‘Mirror Master’ Philosophy

by Mitch Mosk
PUP © Vanessa Heins
Features, Interviews, MusicApril 30, 2019<April 30, 2019

In the Doghouse: A Conversation with Pop Punk Icons PUP

by Matthew Dunn
In Between Minds - Rhys Lewis art
Music, Our Take, ReviewsApril 30, 2019<April 30, 2019

Our Take: Rhys Lewis Enchants with the Reassuringly Reflective ‘In Between Minds’ EP

by Luke Pettican
Debut, Music, PremieresApril 30, 2019<April 30, 2019

Premiere: Cosmo Gold’s Swirly, Cosmic Debut “Dark Matter”

by Mariel Fechik
Posts pagination
1 … 521 522 523 524 525 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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