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Rhys Lewis
Columns, Music, Today's SongJanuary 10, 2019<January 10, 2019

Today’s Song: Anguish and Affliction in Rhys Lewis’ “Could’ve Been”

by Luke Pettican
Highschool Jacob © Grace Pickering
Music, PremieresJanuary 10, 2019<January 10, 2019

Premiere: Just “Can’t Get Enough” of HighSchool Jacob!

by Christine Costello
Lostboycrow © Samantha Sheldon
Music, PremieresJanuary 10, 2019<January 24, 2019

Premiere: Elation & Connection in Lostboycrow’s “Orange Juice” & “Stargazing with Patrick Bateman”

by Mitch Mosk
Two Passing Ships - Spirit Houses
Features, Interviews, MusicJanuary 10, 2019<January 10, 2019

Death Was a Naked Sword: A Conversation with Spirit Houses

by James Crowley
Some Rap Songs - Earl Sweatshirt 9.4
Music, Our Take, ReviewsJanuary 9, 2019<August 5, 2021

Our Take: Earl Sweatshirt Bends Time and Space on ‘Some Rap Songs’

by Atwood Magazine Staff
Strange Open Land - Alex Di Leo
Music, Music Videos, PremieresJanuary 9, 2019<January 9, 2019

Premiere: Alex Di Leo’s “Strange Open Land” Revels in Young Love’s Seduction

by Mitch Mosk
Brillboard 2019-01-09
Brillboard, Music, PlaylistsJanuary 9, 2019<January 9, 2019

The Brillboard: New Beginnings, 01/09/2019

by Jason Brillon
Catfish & The Bottlemen © Jill Furmanovsky
Columns, Music, This Just In, Today's SongJanuary 9, 2019<January 9, 2019

Catfish and the Bottlemen Return with Stunning Anthem “Longshot”

by Mitch Mosk
Ryan Dugré © 2019
Music, PremieresJanuary 8, 2019<January 8, 2019

Premiere: The Rich Warmth of Ryan Dugré’s Gentle, Majestic “Bali”

by Mitch Mosk
Alison Sudol © Marlene Marino
Features, Interviews, MusicJanuary 8, 2019<January 8, 2019

Can You Hear Me Now? A Conversation with Alison Sudol

by Nicole Almeida
Aaron David Gleason © Michael Crook
Music, PremieresJanuary 8, 2019<January 8, 2019

Premiere: Aaron David Gleason Shines in Feelgood “You Belong in the Movies”

by Mitch Mosk
Atwood Magazine's 2018 Albums of the Year
Features, Music, News, ReviewsJanuary 7, 2019<January 21, 2019

Atwood Magazine’s 2018 Albums of the Year

by Atwood Magazine Staff
CLAVVS © 2018
Features, Interviews, MusicJanuary 4, 2019<April 4, 2019

Lay Back, Letting Go, and Looking Forward: A Conversation with CLAVVS

by Mitch Mosk
Atwood Magazine's 2018 Artists of the Year
Features, Music, News, ReviewsJanuary 4, 2019<June 20, 2024

Atwood Magazine’s 2018 Artists of the Year

by Atwood Magazine Staff
James Veck-Gilodi
Columns, Music, Today's SongJanuary 4, 2019<January 4, 2019

Music and Mental Health: Deaf Havana’s James Veck-Gilodi Opens Up in “Coffee”

by Ditta Demeter
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Brand New

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)

:: discover something new ::

Recent Posts

  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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