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Katherine Redlus © Michael Amico Photography
Music, PremieresSeptember 25, 2018<September 25, 2018

Premiere: Self-Worth & Belonging in Katherine Redlus’ Enchantingly Ethereal “Welcome Home”

by Mitch Mosk
Jordan Rakei Eye to Eye Video Screenshot
Features, Interviews, Music Videos, VideoSeptember 25, 2018<September 25, 2018

Interview with Director Tom Ewbank: Snowboarding, Influences, and Collaborations

by Carmen Chan
LAOISE © Lucy Foster
Columns, Music, Today's SongSeptember 25, 2018<September 25, 2018

Today’s Song: LAOISE Stuns with her Empowering, Captivating “Again”

by Luke Pettican
FINNEAS © Luke Fenstemaker
Columns, Music, Today's SongSeptember 24, 2018<September 24, 2018

Today’s Song: FINNEAS Moves On and Burns the Evidence in “College”

by Nicole Almeida
Pott County - Pony Creek © Aaron Gum
Music, Music Videos, PremieresSeptember 24, 2018<September 24, 2018

Premiere: Pony Creek’s Outlaw Fantasy “Pott County”

by Mitch Mosk
Atwood Magazine's Weekly Roundup 09-21-2018
Columns, Features, Music, Weekly RoundupSeptember 21, 2018<October 10, 2018

Atwood Magazine’s Weekly Roundup: September 21, 2018

by Atwood Magazine Staff
Aya Safiya © Tano Brock
Music, ReviewsSeptember 21, 2018<September 21, 2018

EP Review: Aya Safiya’s Sweetly Enchanting and Assertive Debut

by Mitch Mosk
It's My Show! - Broken Baby
Music, Music Videos, PremieresSeptember 21, 2018<September 21, 2018

Premiere: The Fierce, Indulgent Energy of Broken Baby’s “It’s My Show!” Video

by Mitch Mosk
Transviolet © Chris Greenwell
Features, Interviews, MusicSeptember 21, 2018<October 10, 2018

Feature: Transviolet’s Journey of Liberation and Resilience

by Atwood Magazine Staff
Jagwar Twin © Fabien Montique
Debut, Features, Interviews, MusicSeptember 21, 2018<November 7, 2018

Sunshine in the Mind: An Interview with Jagwar Twin

by Mitch Mosk
Greg Wanders © Amelia Fearn
Music, PremieresSeptember 20, 2018<September 20, 2018

Premiere: The Hypnotic Freedom of Greg Wanders’ Moving “Unbound”

by Mitch Mosk
Truth - Jake Tavill
Music, Music Videos, PremieresSeptember 20, 2018<September 20, 2018

Premiere: Family, Façades, and Jake Tavill’s Fierce “Truth” Video

by Mitch Mosk
Love Kills - Coyle Girelli
Debut, Features, Music, PremieresSeptember 20, 2018<September 20, 2018

Album Premiere: Coyle Girelli’s Beautiful, Dark Masterpiece ‘Love Kills’

by Mitch Mosk
Harry Strange © Cory Edwards
Music, PremieresSeptember 20, 2018<September 20, 2018

Premiere: The Stirring Sentiment of Harry Strange’s Beautifully Vulnerable “Signs”

by Luke Pettican
The Last Bison © Matthew Simmons
Features, Music, PremieresSeptember 20, 2018<September 20, 2018

Album Premiere: The Last Bison Sprint Full Speed Down Memory Lane in ‘SÜDA’

by Audrey Steeves
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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