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F&M © Francis A Willey
Music, Music Videos, PremieresSeptember 12, 2018<September 12, 2018

Premiere: The Poignant Beauty of F&M’s Enchanting “Lessons From Losers”

by Mitch Mosk
Dominique © Joshua Shultz
Debut, Interviews, Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: Dominique Inspires with Refreshing, Raw Debut “Convince You”

by Mitch Mosk
Casey Dubie © 2018
Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: Casey Dubie’s Moving “Confetti” Cherishes Fleeting Love

by Mitch Mosk
Casey Lowry © 2018
Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: Revel in “Blank Face,” Casey Lowry’s Catchy Communication Breakdown

by Mitch Mosk
Jong SL © Cameron Rollins
Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: The Bittersweet, Haunting Pull of Jong SL’s “Driving Away”

by Mitch Mosk
Sigrid © 2018
Features, Interviews, MusicSeptember 12, 2018<October 10, 2018

Interview: Sigrid Dives into Her Stirring, Impassioned, and ‘Raw’ EP

by Luke Pettican
Book of Travelers - Gabriel Kahane
Music, ReviewsSeptember 11, 2018<September 11, 2018

Review: Gabriel Kahane’s Evocative and Intimate ‘Book of Travelers’

by Mariel Fechik
The Brevet © Pete Black
Music, PremieresSeptember 11, 2018<September 11, 2018

Premiere: Rock Out to the The Brevet’s Intoxicating “Gateway Drug”

by Mitch Mosk
Lindsay Kay © Anastasia Lebedeva
Music, PremieresSeptember 11, 2018<September 11, 2018

Premiere: A Moving Ritual in Lindsay Kay’s “Sunday,” a Somber Search for Faith

by Mitch Mosk
Megan Bonnell © Jen Squires
Music, Music Videos, PremieresSeptember 11, 2018<September 11, 2018

Premiere: Megan Bonnell Dazzles with Love & Grief in “Your Voice”

by Mitch Mosk
PHANGS © 2018
Music, ReviewsSeptember 10, 2018<September 11, 2018

Review: PHANGS Proves ‘N°1 Loves You’ Like He Does

by Maggie McHale
The Britanys © Sophia Ragomo
Music, Music Videos, PremieresSeptember 7, 2018<September 7, 2018

Premiere: The Britanys’ Raw & Lonely Helpline, “I Don’t Know How to Be Alone”

by Mitch Mosk
The Band CAMINO © 2018
Features, Interviews, MusicSeptember 7, 2018<September 7, 2018

Normal Guys That Like to Play Rock-Pop Music: A Conversation with The Band CAMINO

by Maggie McHale
Ain't My Scene - JD Eicher
Music, Music Videos, PremieresSeptember 7, 2018<September 7, 2018

Premiere: You’ll Fit in at JD Eicher’s Pool Party, “Ain’t My Scene”

by Mitch Mosk
Jublio Drive © Rayana Chumthong
Music, PremieresSeptember 6, 2018<September 6, 2018

Premiere: EXTRA! EXTRA! Stream Jubilo Drive’s “All U Can Eat” NOW!

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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    • Weekly Roundup
    • Music You Should Know
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