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The Japanese House © Jim Mangan
Music, Reviews, This Just InSeptember 28, 2018<October 30, 2018

This Just In: Finding Hope in Love in The Japanese House’s “Lilo”

by Nicole Almeida
Leave But Don't Go - Violet Days
Music, PremieresSeptember 28, 2018<September 28, 2018

First Look: Violet Days Explore Affection with “Leave But Don’t Go”

by Luke Pettican
Music, Previews, ReviewsSeptember 28, 2018<September 28, 2018

Preview: Half the Animal Plan to Make “Magic” on Tour

by Alex Killian
Music, Our Take, ReviewsSeptember 28, 2018<October 2, 2018

Compartmentalizing What Makes Us Human: A Track-By-Track Review of The Tallest Man on Earth’s “When the Bird Sees the Solid Ground”

by Adrian Vargas
Your Smith © Gemma Warren
Columns, Music, Today's SongSeptember 28, 2018<September 28, 2018

Today’s Song: Your Smith Makes Love a “Bad Habit”

by Nicole Almeida
Violetta Zironi © Bettina Zironi
Music, Music Videos, PremieresSeptember 27, 2018<September 27, 2018

Premiere: Violetta Zironi’s Heartbreaking & Breathtaking Confession “Little Wound”

by Mitch Mosk
Flasher © 2018
Interviews, MusicSeptember 27, 2018<September 27, 2018

Creating a Multisensory Experience: A Conversation with Flasher

by Shayna Chabrow
Wild - Dhruv Visvanath
Music, PremieresSeptember 27, 2018<September 27, 2018

Premiere: NDS Brings Wide-Eyed Wonder to Dhruv Visvanath’s “Wild” Remix

by Mitch Mosk
Daniel Briskin © 2018
Debut, Features, Interviews, MusicSeptember 27, 2018<September 27, 2018

Interview with Daniel Briskin: An Artist on the Rise

by Luke Pettican
Transviolet - Valley Cover Art
Music, ReviewsSeptember 27, 2018<October 9, 2018

Review: Transviolet’s ‘Valley’ EP Dances Us to Real Life Resilience

by Ilana Kalish
Origami Crane © 2018
Debut, Music, PremieresSeptember 27, 2018<September 27, 2018

Premiere: Origami Crane Bring Summer Passion to Fall Intimacy on “Like a Flame”

by James Crowley
Tadhg Daly © Bradley O’Malley
Debut, Music, Music Videos, PremieresSeptember 26, 2018<February 20, 2019

Premiere: Freedom Rings in Tadhg Daly’s Anthemic Debut “Too Late”

by Mitch Mosk
Hello June album cover 9.1
Debut, Features, Music, PremieresSeptember 26, 2018<October 4, 2023

Album Premiere: The Intimate Alternative Warmth of Hello June’s Dazzling Debut Album

by Mitch Mosk
Nora Keyes © Leva Ann
Music, PremieresSeptember 25, 2018<September 25, 2018

Premiere: Love, Truth, and Beauty Reign Supreme in Nora Keyes’ “Kingdom of the Sun”

by Mitch Mosk
Cosmic Strip © Charlotte Patmore
Debut, Interviews, Music, ReviewsSeptember 25, 2018<September 25, 2018

Dreaming in Another Dimension: A Conversation with Cosmic Strip

by Lindsay Call
Posts pagination
1 … 565 566 567 568 569 … 737

Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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