• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Cat Heaven - Roy Blair
Columns, Music, Today's SongAugust 17, 2018<August 17, 2018

Today’s Song: Navigate the Toxic Intimacy of Jaded Youth with Roy Blair’s “Kansas”

by Jesse Herb
Bishop Briggs © Jabari Jacobs
Features, Interviews, MusicAugust 17, 2018<October 12, 2018

Interview with Bishop Briggs: Passion, Integrity, and Musical Vulnerability

by Mitch Mosk
BROODS © Kelia Anne
Features, Interviews, Music, ReviewsAugust 16, 2018<September 6, 2018

Interview: Broods Dive into Juicy Anthem “Peach” with Joie de Vivre

by Mitch Mosk
Armies © 2018
Features, Music, PremieresAugust 16, 2018<August 16, 2018

Album Premiere: Armies’ Dance-Friendly Gospel-Inspired Nervous Breakdown, ‘Armies II’

by Mitch Mosk
Aüva © Alexa Nikolas
Music, PremieresAugust 16, 2018<August 16, 2018

Premiere: Aüva Mesmerize with Purpose & Attitude on “Scummm”

by Luke Pettican
Dreamers - Pompeya
Features, Music, PremieresAugust 16, 2018<August 16, 2018

Album Premiere: Embark on Neo New Wave Time Travel with Pompeya’s ‘Dreamers’

by Ilana Kalish
Tom West © 2018
Music, PremieresAugust 16, 2018<August 16, 2018

Premiere: Questioning Memories and Continuations of the Past with Tom West’s “King Cambyses”

by Frankie Rose
Wild Nothing © Cara Robbins
Columns, Music, Today's SongAugust 16, 2018<August 16, 2018

Today’s Song: Heartbreak & Hope Collide in Wild Nothing’s “Letting Go”

by Gabi Montiel
A Delicate Motor © 2018
Features, Music, ReviewsAugust 15, 2018<August 15, 2018

Immersive & Expansive: Diving into A Delicate Motor’s ‘Fellover My Own’

by Mitch Mosk
Know. - Jason Mraz
Features, Music, ReviewsAugust 15, 2018<September 13, 2018

Our Take: Love, Light, and the Importance of Jason Mraz’s ‘Know.’

by Mitch Mosk
The Bourgeois © Charles Elmore
Music, PremieresAugust 15, 2018<August 15, 2018

Premiere: The Bourgeois Indulge in Darkness on “My Old Friend Misery”

by Mitch Mosk
The Fourth Wall © Eric Harrod
Features, Music, PremieresAugust 15, 2018<August 15, 2018

Album Premiere: Chaos, Philosophy, and The Fourth Wall’s ‘Infinite Other’

by Mitch Mosk
Benjamin Shaw © Aisha Latosski
Music, PremieresAugust 15, 2018<August 15, 2018

Premiere: The Frenzied, Visceral Experience of Benjamin Shaw’s “Terrible Feelings!”

by Carolyn Fasone
Ward White © Heidi Adams
Music, PremieresAugust 15, 2018<August 15, 2018

Premiere: Mortal Reflections in Ward White’s Dreamy “Canopy”

by Mitch Mosk
Billie Eilish © 2018
Music, Reviews, Today's SongAugust 15, 2018<August 14, 2018

Today’s Song: Billie Eilish Exudes Royalty on “you should see me in a crown”

by Matthew Tordoff
Posts pagination
1 … 565 566 567 568 569 … 728

Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services