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Amir Obè © Jamal Peters
Features, Music, ReviewsSeptember 19, 2018<September 19, 2018

EP Review: Amir Obé’s Intimate Confessional, ‘Can’t Be A ____ Here: Chapter 1’

by Urooj Ali Rizvi
Loner VS Lover - Piqued Jacks
Music, Music Videos, PremieresSeptember 18, 2018<September 18, 2018

Premiere: Piqued Jacks Erupt with Glitchy, Self-Reflective “Loner VS Lover”

by Mitch Mosk
Call On Me - Litany art
Columns, Music, Today's SongSeptember 18, 2018<September 18, 2018

Today’s Song: Litany Take Us Back to the ’90s with “Call on Me”

by Kelsey Fitzgerald
Foxing © Hayden Molinarolo
Features, Interviews, MusicSeptember 18, 2018<September 19, 2018

Interview: Foxing’s ‘Nearer My God’ Is a Siren Sound for Those Wanting to Belong

by Sara Santora
Dan Too © 2018
Debut, Music, Music Videos, PremieresSeptember 18, 2018<September 18, 2018

Meaning and Value in Dan Too’s Hearty Debut “Isis and Osiris”

by Mitch Mosk
Chris Ayer © Chris Wood
Music, PremieresSeptember 18, 2018<September 18, 2018

Premiere: Finding Connection in Chris Ayer’s Vulnerable, Raw “Stranger”

by Mitch Mosk
Hellions © 2018
Features, Interviews, MusicSeptember 17, 2018<September 19, 2018

Eclectic Theatricality: A Conversation with Hellions

by James Crowley
Kazyak © Jed Anderson
Music, PremieresSeptember 17, 2018<September 17, 2018

Premiere: Kazyak’s Surreal “Talking to a Stranger”

by Mariel Fechik
Soham De © Matt Flynn (Decibel42)
Music, Music Videos, PremieresSeptember 14, 2018<September 14, 2018

Raw and Full of Passion, Soham De’s “Confession” Gorgeously Showcases the Power of Emotion

by Adrian Vargas
Glass Heart String Choir © 2018
Music, PremieresSeptember 13, 2018<September 13, 2018

Premiere: The Cinematic Grace of Glass Heart String Choir’s Debut “Wildfires”

by Mitch Mosk
Michael Burrows © Dean Schmideg
Music, Music Videos, PremieresSeptember 13, 2018<September 13, 2018

Premiere: The Tender Ache of Michael Burrows’ Bittersweet “Please Don’t Cry”

by Mitch Mosk
Trevor Powers © Chris Schoonover
Debut, Features, Interviews, MusicSeptember 13, 2018<August 5, 2021

Interview with Trevor Powers: Influence, Evolution, and ‘Mulberry Violence’

by Atwood Magazine Staff
FINLAY © 2018
Music, Music Videos, PremieresSeptember 13, 2018<September 13, 2018

Premiere: Bask in the Unapologetic Energy of FINLAY’s “TIDES”

by Mitch Mosk
BETS © Kanya Iwana
Music, PremieresSeptember 13, 2018<September 13, 2018

Premiere: Vulnerability Is Beautiful in BETS’ Intimate “Gold”

by Mitch Mosk
Letter To Springsteen - Gene Micofsky
Music, PremieresSeptember 13, 2018<September 13, 2018

Premiere: Gene Micofsky Reminds Us of the Power of Music with His Autobiographical “Letter to Springsteen”

by Frankie Rose
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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