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Emily Warren © David O'Donohue
Features, Interviews, MusicOctober 5, 2018<October 10, 2018

Reflecting the Self: ‘Quiet Your Mind’ and an Interview with Emily Warren

by Frankie Rose
Oginalii © Matt Blum
Music, PremieresOctober 4, 2018<October 4, 2018

Premiere: Oginalii’s Passionate “No Littering” Embraces the Freedom of Choice

by Mitch Mosk
Imagine Dragons © Nolan Knight Photography
Features, Interviews, MusicOctober 4, 2018<March 2, 2025

Interview with Imagine Dragons: From Visions to Origins, Forever Evolving

by Mitch Mosk
Ember Knight - Disappointment Cowboy Album Art
Debut, Music, ReviewsOctober 4, 2018<October 4, 2018

Review: Ember Knight’s ‘The Disappointment Cowboy’ Does Anything But Disappoint

by Carolyn Fasone
Posh Hammer © Gaither Sandlin
Music, Music Videos, PremieresOctober 4, 2018<October 4, 2018

Video Premiere: Posh Hammer Dazzle with Their Heart-Filled Anthem “It Was Once Summer”

by Adrian Vargas
LACES © Chris Wood Pictures
Music, PremieresOctober 4, 2018<October 10, 2018

Premiere: LACES Returns with Intimate, Vulnerable “someday is not tonight”

by Mitch Mosk
Tor Miller © Erica Snyder
Features, Music, Premieres, ReviewsOctober 3, 2018<October 3, 2018

Premiere: Tor Miller’s Moving ‘My Life Surviving the Suburbs’ Documentary

by Mitch Mosk
JØUR © Hilary Olson Photography
Debut, Features, Music, PremieresOctober 3, 2018<October 3, 2018

Album Premiere: JØUR’s Deep, Dark, and Irresistible Debut ‘Chiaroscuro’

by Mitch Mosk
Honey - Robyn art
Columns, Music, Today's SongOctober 3, 2018<October 3, 2018

Today’s Song: The Sweet Tones of Robyn’s “Honey” Mark Her Triumphant Return to Music

by Matthew Tordoff
Move Us - Anne Malin still
Music, Music Videos, PremieresOctober 2, 2018<October 2, 2018

Premiere: The Weight, Ache, and Intrepid Spirit of Anne Malin’s “Move Us”

by Mitch Mosk
Essenger © Kryslyn Baker
Columns, Music, Today's SongOctober 2, 2018<October 2, 2018

Today’s Song: Essenger Explores the Repercussions of Living with Our “Eyes Closed”

by Adrian Vargas
YOY © Laura Campana
Debut, Features, Interviews, MusicOctober 2, 2018<October 2, 2018

Interview: YOY Debut with Immersive, Entrancing “Infinite” ft BIRTHH

by Mitch Mosk
Blood On The Floor - Jack KILLEN
Music, Music Videos, PremieresOctober 1, 2018<October 1, 2018

Premiere: Take a Step Back with Jack Killen’s Invigorating “Blood on the Floor”

by Mitch Mosk
Greg Holden © 2018
Features, Interviews, Music, Music Videos, PremieresOctober 1, 2018<October 10, 2018

Inspiration, Evolution, & “The Power Shift”: An Interview with Greg Holden

by Mitch Mosk
Lewis Capaldi © 2018
Columns, Music, Today's SongOctober 1, 2018<October 9, 2018

Today’s Song: Lewis Capaldi Explores Life-Changing Love with “Grace”

by Luke Pettican
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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