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Mountain Lions © Steven Diaz
Music, PremieresJune 11, 2018<June 11, 2018

Premiere: Mountain Lions Embrace the Journey in Sunny “California”

by Mitch Mosk
Jordan Mackampa © Sequoia Ziff
Music, Music Videos, PremieresJune 11, 2018<June 11, 2018

Premiere: “One in the Same,” Jordan Mackampa’s Soulful Take on Relationships

by Ilana Kalish
Alex Harrington © 2018
Music, PremieresJune 8, 2018<July 12, 2018

Premiere: Boogie the Night Away with Alex Harrington’s “Whenever You Want Me”

by Carolyn Fasone
Atwood Magazine's Weekly Roundup 06-08-2018
Columns, Features, Music, Playlists, Weekly RoundupJune 8, 2018<June 8, 2018

Atwood Magazine’s Weekly Roundup: June 8, 2018

by Atwood Magazine Staff
CAPPA "Tension" © 2018
Interviews, Music, Reviews, This Just InJune 8, 2018<July 6, 2018

Interview: CAPPA Releases “Tension” with a Fun, Feelgood Embrace

by Mitch Mosk
The Rareflowers © 2018
Music, PremieresJune 8, 2018<June 8, 2018

Premiere: The Rareflowers Bloom in Catchy “New Generation”

by Mitch Mosk
Already Gone - Brett Dennen still
Features, Interviews, Music, ReviewsJune 8, 2018<June 8, 2018

Feature: Stop Thinking & Do with Brett Dennen’s Inspiring “Already Gone”

by Mitch Mosk
Burning House © George Evans
Music, PremieresJune 7, 2018<June 8, 2018

Premiere: Burning House’s “Peach” Is a Fuzzy Coming-of-Age Anthem

by Mitch Mosk
Northside Festival 2018 banner
Features, Festival, Music, News, PreviewsJune 7, 2018<June 12, 2018

(Y)Our Music Guide to Northside Festival 2018

by Atwood Magazine Staff
Sloppy Jane © afcorets
Debut, Interviews, MusicJune 7, 2018<June 7, 2018

Interview with Sloppy Jane: The Excitement of Exhaustion and Strolling Through “Kitchen Store”

by Carolyn Fasone
RXC © 2018
Music, PremieresJune 7, 2018<June 7, 2018

Premiere: RXC Takes Us “Higher” with Dark Pop Turbulence

by Mitch Mosk
Tyne © Brandon Taelor Aviram
Debut, Interviews, Music, PremieresJune 7, 2018<June 7, 2018

Feature: Growing the Dream Pop Genre with Tyne’s Debut EP ‘111’

by Kelly Wynne
"Is This Real?" - Caspar Leopard
Music, Music Videos, PremieresJune 6, 2018<June 12, 2018

Premiere: Embracing Life with Caspar Leopard’s Powerful “Is This Real?”

by Mitch Mosk
My Brothers and I © 2018
Music, Music Videos, PremieresJune 6, 2018<June 6, 2018

Premiere: The Raw Ache of My Brothers And I’s “When You’re Ready”

by Mitch Mosk
God's Favorite Customer - Father John Misty
Features, Music, Reviews, RoundtableJune 6, 2018<June 29, 2024

Roundtable Discussion: A Review of Father John Misty’s ‘God’s Favorite Customer’

by Atwood Magazine Staff
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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