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Our Girl © Jodie Canwell
Interviews, MusicApril 4, 2018<April 4, 2018

The Way They Think and Feel and See: A Conversation with Our Girl

by Nicole Almeida
Sloppy Jane © Mika/e Lungulov-Klotz
Debut, Music, ReviewsApril 3, 2018<June 6, 2018

Review: Sloppy Jane’s Formidable Debut ‘Willow’ Takes Us On a Desert Vision Quest

by Carolyn Fasone
Kyan Palmer © Jennica Mae
Columns, Music, Today's SongApril 3, 2018<April 3, 2018

Today’s Song: Dive in Deep with Kyan Palmer’s “Poetry in Motion”

by Anie Delgado
Changeling - Juliet Quick
Music, Premieres, ReviewsApril 3, 2018<April 3, 2018

EP Premiere: Myth & Change Spark Otherworldly Sound in Juliet Quick’s ‘Changeling’

by Kelly Wynne
Silver Car Crash © 2018
Debut, Features, Music, PremieresApril 3, 2018<April 3, 2018

Album Premiere: Silver Car Crash’s ‘Resource Body’ Ventures Through All Human Sounds

by James Crowley
Bloodboy © Kristy Benjamin
Music, Reviews, This Just InMarch 30, 2018<March 30, 2018

This Just In: Bloodboy’s “Is Now a Good Time to Ruin Your Life?” Is an Anthem for Us All

by Lindsay Call
Haux © Woodson Black
Features, Music, ReviewsMarch 30, 2018<March 30, 2018

Our Take: Haux’s Heartbreaking EP Is Truly ‘Something to Remember’

by Mitch Mosk
Kate Nash © Kate Bellm
Features, Interviews, MusicMarch 30, 2018<March 30, 2018

Interview with Kate Nash: Bunny Rabbits, Mental Health, and Finding Confidence

by Nicole Almeida
Atwood Magazine's Weekly Roundup 03-30-2018
Columns, Features, Music, Weekly RoundupMarch 30, 2018<March 30, 2018

Atwood Magazine’s Weekly Roundup: March 30, 2018

by Atwood Magazine Staff
My Dear Melancholy, - The Weeknd
Features, Music, Our Take, ReviewsMarch 30, 2018<March 30, 2018

Our Take: The Weeknd’s ‘My Dear Melancholy,’ Marks the Beauty in the Breakup

by Kelly Wynne
Sea Girls © Patrick Gunning 2018
Columns, Music, Today's SongMarch 30, 2018<March 29, 2018

Today’s Song: Sea Girls Let Loose on “Eat Me Whole”

by Natalie Harmsen
Civil Twilight © Wind-up Records
Columns, Music, Today's SongMarch 29, 2018<March 29, 2018

Today’s Song: Civil Twilight’s “Holy Dove” is Alt-Rock for the Alt-Righteous

by Ilana Kalish
Angela Josephine © John Mark Hanson
Music, PremieresMarch 29, 2018<March 29, 2018

Premiere: “Got to Believe” in Angela Josephine’s Folk Rock Talent

by Josh Weiner
Ravyn Lenae © Jingyu Lin
Music, Our Take, ReviewsMarch 29, 2018<March 29, 2018

Our Take: Sophistication Meets Carefree Temperaments on Ravyn Lenae’s Crush EP

by Brandon Payano
Deja Vu - Scarlet Pleasure
Music, Music Videos, PremieresMarch 29, 2018<March 29, 2018

Premiere: Scarlet Pleasure Ignite and Indulge in “Deja Vu”

by Mitch Mosk
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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