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War Violet © Lissette Emma
Music, PremieresMay 22, 2018<May 29, 2018

Premiere: War Violet’s Dreamy “Getaway” Transports Us to Sweet Summertime

by Lindsay Call
Columns, Interviews, MusicMay 21, 2018<May 20, 2018

Hometown Guides: SYDE on Melbourne, Australia

by Alex Killian
Florence and the Machine © Vincent Haycock
Columns, Music, Today's SongMay 21, 2018<May 29, 2018

Today’s Song: Florence + the Machine Return with “Hunger”

by Natalie Harmsen
Brothers Moving © Brothers Moving
Columns, Music, Today's SongMay 18, 2018<May 29, 2018

Today’s Song: Brothers Moving’s “Can’t Deny” is the Soundtrack to a Ruminator’s Journey from Plod to Patter

by Ilana Kalish
Greg Holden © 2018
Features, Music, Reviews, This Just InMay 18, 2018<July 11, 2018

This Just In: Greg Holden’s Repentant Return “On the Run” Is an Instant Classic

by Mitch Mosk
Tessa Rae © 2018
Music, Reviews, This Just InMay 17, 2018<May 17, 2018

Review: The Stirring Weight of Tessa Rae’s Heartbroken “Downtown”

by Mitch Mosk
Tranquility Base Hotel & Casino - Arctic Monkeys 2018
Features, Music, Reviews, RoundtableMay 17, 2018<March 2, 2025

Roundtable Discussion: A Review of Arctic Monkeys’ ‘Tranquility Base Hotel & Casino’

by Atwood Magazine Staff
CLARA-NOVA © Amber Canterbury
Music, PremieresMay 17, 2018<May 17, 2018

Premiere: CLARA-NOVA’s New Love Song is Unabashedly “Electric”

by Mitch Mosk
Little Monarch © Ashley Osborn
Music, PremieresMay 17, 2018<May 17, 2018

Premiere: Little Monarch’s Dazzling “Full Release” Basks in Euphoric Glory

by Mitch Mosk
Aubrey Haddard © Ally Schmaling
Debut, Music, PremieresMay 17, 2018<May 17, 2018

Premiere: Aubrey Haddard’s Watery, Moody “Seaweed & Sand”

by Mariel Fechik
Lil Peep © 2018
Columns, Music, Today's SongMay 17, 2018<May 16, 2018

Today’s Song: Lil Peep’s Posthumous “4 Gold Chains” is the Swansong of an Artist Who Cared

by James Crowley
Maps - Handsome Ghost
Music, PremieresMay 17, 2018<May 17, 2018

Premiere: Handsome Ghost Cover Yeah Yeah Yeahs’ “Maps” with Dreamy Grace

by Mitch Mosk
Lost in Thought - Flaws
Debut, Features, Music, PremieresMay 17, 2018<May 17, 2018

EP Premiere: Get ‘Lost in Thought’ with Flaws’ Dreamy Debut

by Mitch Mosk
Ziggy Alberts © Zach Sanders @stuckonarockphoto
Music, PremieresMay 16, 2018<May 29, 2018

Premiere: Ziggy Alberts’ “Love Me Now” Aches with Passion & Pain

by Mitch Mosk
The Traditionist © 2018
Music, PremieresMay 16, 2018<May 16, 2018

Premiere: Swept Up in The Traditionist’s Metaphorically Sound “MidRiver”

by Kelly McCafferty Dorogy
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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