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Empara Mi © courtesy of the artist
Essays, Music, Women's History MonthMarch 26, 2025<March 26, 2025

“My Shift Towards Autonomy and the Power in Starting Again”: An Essay by Empara Mi for Women’s History Month

by Guest Writer
Christine Bauer
Essays, Music, Women's History MonthMarch 26, 2025<March 26, 2025

“The ‘Safe’ Route Almost Broke Me; Music Put Me Back Together”: An Essay by Christine Bauer for Women’s History Month

by Guest Writer
Xanthe Alexis © Dennis Netjek
Essays, Music, Women's History MonthMarch 26, 2025<March 26, 2025

“A Woman’s Place Is on the Road”: An Essay by Xanthe Alexis for Women’s History Month

by Guest Writer
James Bay and Jon Batiste © David O'Donohue
Columns, Interviews, Music, Today's SongMarch 26, 2025<March 26, 2025

“You’re Like Sunshine in the Room”: James Bay & Jon Batiste Celebrate Love with Harmony, Heart, and Soul

by Mitch Mosk
Your Smith © Erica Hernandez
Features, Interviews, MusicMarch 25, 2025<March 25, 2025

“A Little Underdressed and a Teeny Bit Sloppy”: Your Smith Returns with a ‘De-Invention’ on Her Own Terms

by Mitch Mosk
Idiotwin LP - Idiotwin
Essays, MusicMarch 25, 2025<March 25, 2025

An Indie Insight: My Experience Releasing an Album as an Independent Musician

by Frederick Bloy
Jill Andrews © 2025
Features, Interviews, MusicMarch 25, 2025<March 25, 2025

Interview: Jill Andrews Confronts the Darkness Head-On With ‘Big Feelings’

by Emily Frances Algar
Carlie Hanson © 2025
Music, Playlists, Women's History MonthMarch 25, 2025<March 25, 2025

“The Hottest of the Hot”: A Women’s History Month Playlist by Carlie Hanson

by Guest Writer
CLOVER © Jennie Hankins
Essays, Music, Women's History MonthMarch 25, 2025<March 12, 2026

“How the Menstrual Cycle Influences My Songwriting and Artistry”: An Essay by CLOVER for Women’s History Month

by Guest Writer
KTJ & Carly © Lauren Nieves
Columns, Music, Today's SongMarch 25, 2025<March 25, 2025

Today’s Song: KTJ & CARLY Turn Heartbreak into Sweet Revenge on “Good Day”

by Chloe Robinson
Puma Blue © Liv Hamilton
Features, Interviews, MusicMarch 24, 2025<March 24, 2025

“I Wanted to Make Something That Was Kind of Lulling You to Sleep”: Puma Blue Talks Honesty, Spirituality, & Stepping Out of the Box With ‘antichamber’

by Desire' Jackson-Crosby
Buick Audra © Anna Haas
Essays, Music, Women's History MonthMarch 24, 2025<March 24, 2025

“On Learning to Be Proud of My Music as a Firstborn Adult Child Daughter”: An Essay by Buick Audra for Women’s History Month

by Guest Writer
Paula Cole © 2025
Essays, Music, Women's History MonthMarch 24, 2025<March 24, 2025

“Paula Cole, a Masterclass in Artistic Authenticity”: An Essay by Katherine DePaul for Women’s History Month

by Guest Writer
SXSW Paramount Marquee for 2026!
Concerts, Music, ReviewsMarch 24, 2025<March 24, 2025

The Best Sounds from SXSW 2025

by Marissa DeLeon
Bon Iver's Justin Vernon © Graham Tolbert
Columns, Music, Today's SongMarch 24, 2025<March 24, 2025

Today’s Song: Bon Iver & Danielle Haim’s Heartfelt Duet on Love’s Fragile Edge in “If Only I Could Wait”

by Danielle Holian
Posts pagination
1 … 62 63 64 65 66 … 727

Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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© Atwood Magazine 2024 For the Love of Music
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