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Jo Hill 'girlhood' © Phoebe Fox
Debut, Features, Interviews, Music, Track-by-TrackDecember 3, 2024<December 3, 2024

“I want it to feel like you’re opening my diary”: Jo Hill Embraces & Exudes ‘girlhood.’ on Her Raw, Liberating, Coming-of-Age Debut Album

by Mitch Mosk
Pom Pom Squad © Eliza Jouin
Features, Interviews, MusicDecember 3, 2024<December 3, 2024

Interview: Pom Pom Squad’s ‘Mirror Starts Moving Without Me’ Is an Explosive Reckoning in Female Authenticity, Intersectional Identity, and the Modern Music Scene

by Rachel Leong
Sea Lemon © Rachel Bennett
Columns, Music, Today's SongDecember 3, 2024<December 3, 2024

“The One from the Start”: Sea Lemon’s “Sweet Anecdote” Is a Dreamy Dive into Nostalgia

by Haley Mitchell
Jacob Cummings © 2024
Features, Interviews, MusicDecember 2, 2024<December 2, 2024

Interview: Jacob Cummings Bids a Beautiful Farewell to His Childhood in Sparkling New Record ‘Southern & Enlightened’

by Rachel Leong
Tiana Major9 © Remy Bourdeau
Columns, Music, Today's SongDecember 2, 2024<December 3, 2024

Today’s Song: The Gut-Wrenching Heartache of Tiana Major9’s Soul-Baring Seduction, “alone”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 27, 2024
Columns, Features, Music, Weekly RoundupNovember 28, 2024<December 3, 2024

Atwood Magazine’s Weekly Roundup: November 28, 2024

by Atwood Magazine Staff
Roman Joon © 2024
Artist to Watch, Columns, Debut, Music, Today's SongNovember 28, 2024<November 27, 2024

“Crawling up the walls”: Brighton’s Roman Joon Debuts With Fresh, Urgent, & Exhilarating “Call It What You Want”

by Mitch Mosk
Wallice 'The Jester' album art 8.7
Debut, Music, Our Take, ReviewsNovember 27, 2024<November 27, 2024

Our Take: Wallice’s ‘The Jester’ Is an Eclectic Portrayal of Life and Striving to Reach Our Dreams

by Frankie Rose
Amy Jay "And So It Goes" © Brittany Buongiorno
Interviews, MusicNovember 27, 2024<November 27, 2024

Interview: Amy Jay Is Back, and She Brought Billy Joel’s Heartache With Her

by Blake McMillan
mxmtoon © Bảo Ngô
Features, Interviews, MusicNovember 27, 2024<November 27, 2024

“I deserve to be in the room”: mxmtoon on Agency, Family, and Womanhood in ‘liminal space’

by Rachel Leong
Liang Lawrence © Mollie McKay
Columns, Music, Today's SongNovember 27, 2024<November 26, 2024

Today’s Song: Liang Lawrence Bares Her Heart in “Kiss My Apocalypse,” a Dreamy & Dramatic Indie Pop Love Song

by Mitch Mosk
Inhaler © Lewis Evans
Columns, Music, Today's SongNovember 26, 2024<November 26, 2024

Today’s Song: Inhaler’s “Your House” Is Gospel for the Nonchalant

by Brianna Corrine
yeule © Vasso Vu
Columns, Music, Today's SongNovember 25, 2024<November 25, 2024

Today’s Song: yeule’s “eko” Will Be Bouncing Around Your Head for Days

by Haley Mitchell
From Zero - Linkin Park 8.1
Music, Our Take, ReviewsNovember 25, 2024<November 25, 2024

Our Take: A Revamped Linkin Park Start ‘From Zero’ and Finish With a Thrilling Comeback Album

by Josh Weiner
Maria Kelly © Charlotte Blokhuis
Columns, Music, Today's SongNovember 24, 2024<November 27, 2024

“I’m in a slump and I can’t wake up”: The Heartrending Weight of Maria Kelly’s Intimate, Delicate, & Aching Indie Folk “Slump”

by Mitch Mosk
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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