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Atwood Magazine's Weekly Roundup | December 13, 2024
Columns, Features, Music, Weekly RoundupDecember 13, 2024<December 13, 2024

Atwood Magazine’s Weekly Roundup: December 13, 2024

by Atwood Magazine Staff
Blair "Late To The Party" © Lex Lanez
Columns, Music, Today's SongDecember 13, 2024<December 13, 2024

“Young, wild, and free”: Detroit’s Blair Embraces the Long Game in “Late to the Party,” Her Empowering Alt-Pop Fever Dream

by Mitch Mosk
Atwood Magazine Editor's Picks 106
Columns, Editor's Picks, Features, MusicDecember 12, 2024<January 13, 2025

Editor’s Picks 106: Bleach Lab, Soda Blonde, Mara Connor, Witch Post, Arny Margret, & Fright Years!

by Mitch Mosk
Linkin Park © James Minchin III
Features, Music, Reviews, RoundtableDecember 12, 2024<December 12, 2024

Roundtable Discussion: A Review of Linkin Park’s ‘From Zero’

by Atwood Magazine Staff
Dylan Cartlidge © Leo Walton
Columns, Music, Today's SongDecember 12, 2024<December 12, 2024

“When the sun hits the water, it’s a smile on my face”: Dylan Cartlidge Channels Joy into Song on His Hopeful, Sunny, & Soulful “New Day”

by Mitch Mosk
Bull © Liam Maxwell
Features, Interviews, Music, Track-by-TrackDecember 12, 2024<December 12, 2024

Track-by-Track: York’s Bull Hit the Sweet Spot With ‘Engines of Honey,’ a Sun-Kissed, Smile-Inducing Fever Dream

by Mitch Mosk
total tommy's Jess Holt © Andrea Veltom
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024

“Scuzzy, Gritty, & Grimy”: total tommy’s Jess Holt Bares Her Scars on ‘bruises,’ Her Brutally Raw Debut LP

by Mitch Mosk
Casual Male's Tim Lappin © Kevin Condon
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024

“It’s always the red wine that seems to break me”: The Irresistible Cheer, Charm, & Churn of Casual Male’s Debut Album

by Mitch Mosk
Nikka Costa © Kayleigh Schweiker
Concerts, Music, ReviewsDecember 11, 2024<October 7, 2025

Live Review: Nikka Costa Delivers a Perfectly Seasoned Party at Sony Hall

by Kayleigh Schweiker
Celine Wanyi © Taryn Wan
Features, Interviews, MusicDecember 11, 2024<December 11, 2024

Interview: Celine Wanyi on Breaking New Bounds, Agency, & Creative Vulnerability in “shadow of you”

by Rachel Leong
Water - Fie Eike
Debut, Interviews, Music, Track-by-TrackDecember 11, 2024<December 11, 2024

Track-by-Track: Take a Deep Dive into Fie Eike’s Debut Album, ‘Water’

by Joe Beer
A-Go-Go © 2024
Columns, Music, Today's SongDecember 11, 2024<December 10, 2024

Columbus- and Chicago-Based Band A-Go-Go Spin Everyday Mishaps into Garage Rock Gold on Spirited “Hardly Saving”

by Guest Writer
Portraits of Pirates © Bobby Rivero
Interviews, MusicDecember 10, 2024<December 10, 2024

Interview: Vince Cuneo Channels His Inner Buccaneer for New Solo Project, Portraits of Pirates

by Josh Weiner
Will Swinton © Bryce Glenn
Columns, Music, Today's SongDecember 10, 2024<December 10, 2024

“I’ve been lost since you let me go”: Will Swinton Bares His Soul on “Walls,” an Angsty & Aching Breakup Song

by Mitch Mosk
Mary Eliza © Katie Oscar
Columns, Music, Today's SongDecember 9, 2024<December 9, 2024

“No matter the occasion, I’ll bring a boxing ring”: Mary Eliza’s “Porcelain” Is a Feverish, Achingly Raw Indie Rock Reckoning

by Mitch Mosk
Posts pagination
1 … 61 62 63 64 65 … 711

Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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