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Salin © Lucas Zafiris
Essays, Music, Women's History MonthMarch 28, 2025<March 28, 2025

“We’ve All Become Too Masculine”: An Essay by Salin for Women’s History Month

by Guest Writer
Lauren Mia © 2025
Essays, Music, Women's History MonthMarch 28, 2025<March 28, 2025

“Feminine Frequencies”: A Playlist by Lauren Mia for Women’s History Month

by Guest Writer
Friend of a Friend © 2025
Essays, Music, Women's History MonthMarch 28, 2025<March 28, 2025

“Five Women Artists Who Shaped Me”: An Essay by Friend of a Friend for Women’s History Month

by Guest Writer
Forever Is a Feeling - Lucy Dacus
Music, ReviewsMarch 28, 2025<March 28, 2025

Review: Lucy Dacus Is Learning ‘Forever Is a Feeling’ and Writing a Beautiful Tale As She Goes

by Brianna Corrine
girlpuppy © Tonje Thilesen
Features, Interviews, MusicMarch 28, 2025<March 28, 2025

Interview: How girlpuppy Transformed Heartbreak into Catharsis on Sophomore LP ‘Sweetness’

by Noa Jamir
Maria Solena © 2025
Essays, Music, Women's History MonthMarch 28, 2025<March 28, 2025

“The Power of Music: A Story of Dreams, Dedication, & Discovery”: An Essay by Maria Solena for Women’s History Month

by Guest Writer
St. Catherine's Child © 2025
Music, PremieresMarch 27, 2025<March 27, 2025

Premiere: St. Catherine’s Child Transforms Grief into Gold on Soul-Baring “Negative Space”

by Mitch Mosk
Pillowprince © Alexia Abarca
Music, PremieresMarch 27, 2025<March 27, 2025

Premiere: Pillowprince Channel Grief, Rage, & Resistance in Their Devastating Anthem “Care About”

by Mitch Mosk
Medium Build © Silken Weinberg
Features, Interviews, Music, Track-by-TrackMarch 27, 2025<March 27, 2025

“Therapy Trauma Tunes”: Medium Build’s Nick Carpenter Talks Returning Home, Unpacking His Past, & Turning Scars into Songs with ‘Marietta’

by Mitch Mosk
Maya Elizabeth © Kent Edwards
Essays, Music, Women's History MonthMarch 27, 2025<March 27, 2025

“A Woman’s History with Worthiness”: An Essay by Maya Elizabeth for Women’s History Month

by Guest Writer
ANDIE © Emiko Coffey
Essays, Music, Women's History MonthMarch 27, 2025<March 27, 2025

“A Step-by-Step Guide to Being a Girl’s Girl in the Music Industry (No Matter Your Gender!)”: An Essay by ANDIE for Women’s History Month

by Guest Writer
Tunnel's Natasha Janfaza © Frank Mojica
Interviews, MusicMarch 27, 2025<March 28, 2025

Interview: Navigating Tunnel’s Indie Rock Noise

by Marissa DeLeon
Pretoria © Brady Olson
Columns, Music, Today's SongMarch 27, 2025<March 27, 2025

Today’s Song: Pretoria Ride a Rollercoaster of Emotions in “Don’t Fade”

by Miranda Urbanczyk
80Purppp © Quinn Duranda
Features, Interviews, Music, Track-by-TrackMarch 26, 2025<March 26, 2025

“I’m not trying to fit in anymore”: 80purppp Peels Back the Layers on ‘Suite 96 (Side A),’ a Record of Inner Reckoning, Surrealism, and Self-Discovery

by Mitch Mosk
Sarah and the Sundays © Miles Ellisor
Features, Interviews, Music, Track-by-TrackMarch 26, 2025<March 26, 2025

“It’s us making songs we needed to make”: Sarah and the Sundays Embrace Raw Emotion & Life’s Beautiful Mess on ‘Like a Damn Dog’

by Mitch Mosk
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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© Atwood Magazine 2024 For the Love of Music
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