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Atwood Magazine's Top Artist Discoveries of 2024
Features, Lists, MusicJanuary 8, 2025<January 8, 2025

Atwood Magazine’s Top Artist Discoveries of 2024

by Atwood Magazine Staff
SZA ‘SOS Deluxe: LANA’ © Cassidy Meyers
Music, ReviewsJanuary 7, 2025<January 7, 2025

Review: ‘SOS Deluxe: LANA,’ SZA’s Continued Ruminations on Love, Insecurity, & Heartbreak

by Marc Maleri
Bad Bunny 'Debí Tirar Más Fotos' © Eric Rojas 9.6
Music, Our Take, ReviewsJanuary 7, 2025<January 7, 2025

Our Take: Bad Bunny’s ‘DeBÍ TiRAR MáS FOToS’ Is an Unapologetic Love Letter to Puerto Rico

by Julia Dzurillay
The Best EPs of 2024!
Features, Lists, MusicJanuary 6, 2025<January 7, 2025

The 25 Best EPs of 2024

by Atwood Magazine Staff
Christmas Songs - Bad Religion
Columns, Music, Music You Should KnowDecember 23, 2024<December 23, 2024

Music You Should Know: Bad Religion’s ‘Christmas Songs’

by Haley Mitchell
Atwood Magazine's 2024 Mistletones, Pt. 3!
Features, Interviews, Lists, Mistletones, MusicDecember 20, 2024<December 20, 2024

Atwood Magazine Presents Mistletones: 2024’s Best New Holiday Songs, Pt. 3!

by Atwood Magazine Staff
Kendrick Lamar 'GNX' © pgLang
Music, Reviews, RoundtableDecember 20, 2024<December 20, 2024

Roundtable Discussion: A Review of Kendrick Lamar’s ‘GNX’

by Atwood Magazine Staff
Chesle © Jimmy Fontaine
Interviews, MusicDecember 20, 2024<December 20, 2024

Interview: From The Lumineers to 50 Cent, Chesle Talks Influences, Bravery, and New Single “lose control”

by Kelly McCafferty Dorogy
Atwood Magazine's 2024 Albums of the Year
Features, Lists, MusicDecember 19, 2024<January 6, 2025

Atwood Magazine’s 2024 Albums of the Year

by Atwood Magazine Staff
The Best Music of 2024, According to Our Favorite Artists!
Features, Lists, MusicDecember 19, 2024<December 19, 2024

The Best Music of 2024, According to Our Favorite Artists!

by Atwood Magazine Staff
Atwood Magazine's 2024 Mistletones, Pt. 2!
Features, Interviews, Lists, Mistletones, MusicDecember 18, 2024<December 18, 2024

Atwood Magazine Presents Mistletones: 2024’s Best New Holiday Songs, Pt. 2!

by Atwood Magazine Staff
Atwood Magazine's 2024 Songs of the Year
Features, Lists, MusicDecember 18, 2024<December 18, 2024

Atwood Magazine’s 2024 Songs of the Year

by Atwood Magazine Staff
Hannah McKittrick © Ollie Cox
Columns, Music, Today's SongDecember 17, 2024<December 17, 2024

Today’s Song: Melbourne’s Hannah McKittrick Cuts Like a Knife in “Utensil,” a Softly Stirring Alt-Rock Upheaval

by Mitch Mosk
Atwood Magazine's 2024 Mistletones, Pt. 1!
Features, Interviews, Lists, Mistletones, MusicDecember 16, 2024<December 16, 2024

Atwood Magazine Presents Mistletones: 2024’s Best New Holiday Songs, Pt. 1!

by Atwood Magazine Staff
Thanks a Million - Dino Expedition
Debut, Features, Interviews, Music, Track-by-TrackDecember 13, 2024<December 13, 2024

Feature: Dino Expedition Dwell in Memory & Raw Emotion on ‘Thanks a Million,’ an Intensely Intimate Indie Rock Debut

by Mitch Mosk
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

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Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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