• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Ben Leftwich © Pip for Dirty Hit Records
Interviews, MusicMarch 27, 2017<March 27, 2017

New Directions: A Conversation with Benjamin Francis Leftwich

by Natalie Harmsen
Volunteer © Ryan Alexander
Music, Music Videos, PremieresMarch 27, 2017<March 27, 2017

Video Premiere: Volunteer’s “In the Unknown” Commits to the Road Less Taken

by Kelly McCafferty Dorogy
Sir Sly © Eliot Lee Hazel
Features, Music, Music Videos, Reviews, This Just InMarch 26, 2017<June 20, 2024

This Just In: Sir Sly’s Raw “High” Hits Hard and Feels Good

by Mitch Mosk
Amber Run © 2017
Music, Our Take, ReviewsMarch 24, 2017<April 5, 2017

Our Take: Amber Run Beautifully Embrace Uncertainty with ‘For a Moment, I Was Lost’

by Shannon Ruzgys
The Harmed Brothers x Mcdougall
Music, PremieresMarch 24, 2017<March 24, 2017

Premiere: McDougall & The Harmed Brothers’ Collaboration is Humble, Heartfelt, and Fun

by Mitch Mosk
Flower © Erika Krupansky
Columns, Music, Today's SongMarch 24, 2017<March 24, 2017

Today’s Song: Flower’s “Hysteria” Mocks the Digital Age

by Connor Bush
The Dead Sailor Girls © Jay Blakesburg
Music, PremieresMarch 23, 2017<March 23, 2017

Premiere: Get Down (with the Deep Blue Sea) in The Dead Sailor Girls’ “Dance of the Broken Heart”

by Lindsay Call
Ben Abraham © WILK
Features, Interviews, MusicMarch 23, 2017<March 23, 2017

Transforming Experience into Sound: A Conversation with Ben Abraham

by Hannah Maire
Out of the Game - Rufus Wainwright
Columns, Music, Time MachineMarch 23, 2017<March 23, 2017

Time Machine: Feeling “Out of the Game” with Rufus Wainwright

by Erika Kooda
SXSW 2017 x Atwood Magazine
Festival, MusicMarch 23, 2017<March 24, 2017

Atwood @ SXSW Day 6 ft. Active Bird Community, Aquilo, Big Jesus, The National Parks, and Lawrence

by Erika Kooda
Radclyffe Hall © 2017
Music, PremieresMarch 22, 2017<March 22, 2017

Premiere: Escape into Radclyffe Hall’s Seductive “Run Run Run”

by Mitch Mosk
Axel Mansoor © 2017
Features, Interviews, MusicMarch 22, 2017<March 22, 2017

No Time Wasted: A Conversation with Axel Mansoor

by Kelly Wynne
SXSW 2017 x Atwood Magazine
Festival, MusicMarch 22, 2017<March 22, 2017

Atwood @ SXSW: Day 5 ft. Lizzo, Chicano Batman, Spoon, Big Phony, Magnolia, and Sara Watkins

by Erika Kooda
Call Me - Imelda May
Columns, Music, Today's SongMarch 21, 2017<March 21, 2017

Today’s Song: Imelda May’s “Call Me” and Heartache’s Heavy Wait

by Mitch Mosk
Faze Wave © 2017
Music, PremieresMarch 21, 2017<March 21, 2017

Premiere: Faze Wave Catch a Spark on “Chemistry”

by Mitch Mosk
Posts pagination
1 … 649 650 651 652 653 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services