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Sleep Good © Zane Ruttenberg
Music, PremieresJune 6, 2017<June 6, 2017

Premiere: The Dreamy Gauze of Sleep Good’s “Somewhere”

by Mariel Fechik
Mitski © Ebru Yildiz
Columns, Music, Today's SongJune 6, 2017<June 5, 2017

Today’s Song: Mitski Imagines Happiness on “A Burning Hill”

by Matilda Berke
Cat Delphi © Adam J Spinks @ Initiative Motion Pictures
Music, Music Videos, PremieresJune 5, 2017<June 5, 2017

Video Premiere: Cat Delphi’s “Message” Explores a Deeper Side of Life

by Mitch Mosk
Black Honey © Charlotte Patmore
Features, Interviews, MusicJune 5, 2017<June 5, 2017

The Joys of Creating and Being “Perfect Weirdos”: An Interview with Black Honey

by Lindsay Call
Kinky Love © 2017
Music, PremieresJune 5, 2017<June 5, 2017

Premiere: The Hazy Hypnosis of Kinky Love’s “Glamour Child”

by Mitch Mosk
Bonnaroo 2017 logo
Features, Festival, Music, News, PreviewsJune 5, 2017<June 24, 2017

Surviving the Farm: (Y)Our Music Guide to Bonnaroo 2017

by Baylee Less
Paramore © Fueled by Ramen
Columns, Music, Today's SongJune 5, 2017<March 2, 2025

Today’s Song: Paramore Retain Emo Mastery on “Idle Worship”

by Kendall Graham
Hopeless Fountain Kingdom - Halsey album art
Features, Music, Reviews, RoundtableJune 2, 2017<June 29, 2024

Roundtable Discussion: A Review of Halsey’s ‘Hopeless Fountain Kingdom’

by Atwood Magazine Staff
A Crow Looked At Me - Mount Eerie
Music, Our Take, ReviewsJune 2, 2017<June 2, 2017

Our Take: Mount Eerie Transmit Devastation with ‘A Crow Looked at Me’

by Lucas Koprowski
Secret Colours © 2017
Music, PremieresJune 2, 2017<June 2, 2017

Premiere: The Gravity of Secret Colours’ Love Song “Changes in Nature”

by Mitch Mosk
Isaac Sakima © Anna Partington
Features, Interviews, MusicJune 2, 2017<June 2, 2017

Inciting Sexually Inclusive Pop: A Conversation with SAKIMA

by Alex Killian
Marika Hackman © Steve Gullick
Music, ReviewsJune 2, 2017<June 6, 2024

Review: Marika Hackman is Bold and Unafraid in ‘I’m Not Your Man’

by Nicole Almeida
The xx © Moustache, live at Boston Calling 2017
Concert Conversations, Concerts, Music, ReviewsJune 2, 2017<November 15, 2017

LIVE: The xx in Technicolor at Forest Hills Stadium, Queens

by Carmen Chan
May I Have This Dance - Francis and the Lights
Columns, Music, Today's SongJune 2, 2017<June 2, 2017

Today’s Song: The Intimacy of Francis and the Lights’ “May I Have This Dance (remix)”

by Sara Santora
Mountains Like Wax © Nolan Knight
Music, PremieresJune 2, 2017<June 2, 2017

Premiere: Mountains Like Wax Wrestle with the Gray Areas in “(a) Rest”

by Lindsay Call
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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