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Amberay 2017
Music, PremieresJuly 18, 2017<July 31, 2017

Premiere: Amberay’s Teen Dream “Woman Like a Fantasy”

by Mitch Mosk
Flood Coats © Andrew Glendinning
Music, PremieresJuly 18, 2017<July 18, 2017

Premiere: Flood Coats’ Enchantingly Provocative “Don’t Hold the Door”

by Mitch Mosk
Future Thieves © 2017
Features, Interviews, MusicJuly 18, 2017<July 18, 2017

Interview: Future Thieves Connect the Dots Between Expansion & Minimization

by Alexandra Graber
Joywave © David O'Donohue
Columns, Music, Today's SongJuly 18, 2017<July 18, 2017

Today’s Song: Joywave Sharpen Focus on Terse Single “It’s a Trip!”

by Kendall Graham
JAHS feat Miranda Glory 2017
Music, Music Videos, PremieresJuly 18, 2017<July 18, 2017

Video Premiere: Love Games Get Real on “Magician” by JAHS & Miranda Glory

by Mitch Mosk
HAIM © Polydor Records
Features, Music, Reviews, RoundtableJuly 18, 2017<June 29, 2024

Roundtable Discussion: A Review of HAIM’s ‘Something To Tell You’

by Atwood Magazine Staff
Dirt EP - Hayden Calnin
Features, Music, Our Take, ReviewsJuly 17, 2017<July 17, 2017

Our Take: Hayden Calnin Grieves with Grace in ‘Dirt’ EP

by Baylee Less
The Tambo Rays © Sam Shapiro
Features, Music, PremieresJuly 17, 2017<July 17, 2017

EP Premiere: The Tambo Rays’ ‘Recharge’ Is Optimist Pop with a Twist

by Mitch Mosk
So Below © 2017
Music, PremieresJuly 17, 2017<July 17, 2017

Premiere: The Haunting Echo of So Below’s “SGL” (Now, Now Cover)

by Mitch Mosk
The Strike © 2017
Music, Music Videos, PremieresJuly 17, 2017<July 17, 2017

Video Premiere: Prejudice & Longing in The Strike’s “Faint of Heart”

by Mitch Mosk
Nick Hinman of Palm Springsteen © Nicole Almeida
Debut, Features, Interviews, MusicJuly 17, 2017<July 17, 2017

Here to Woo You: A Conversation with Palm Springsteen

by Nicole Almeida
The Struts © Catie Laffoon
Features, Music, Reviews, This Just InJuly 14, 2017<January 25, 2018

This Just In: The Struts Return with Epic Rock Anthem “One Night Only”

by Mitch Mosk
Insomnia - Palm Ghosts
Music, PremieresJuly 14, 2017<July 14, 2017

Premiere: The Fragile Melancholia of Palm Ghosts’ “Insomnia”

by Mitch Mosk
Beshken © 2017
Music, PremieresJuly 14, 2017<July 14, 2017

Premiere: The Chaotic Beauty of Beshken’s “Lightning by the Sea”

by Kaitlyn Zorilla
Vance Joy © Justin Bettman
Features, Music, Reviews, This Just InJuly 14, 2017<November 14, 2017

This Just In: Vance Joy Is Back with Sweet & Sultry Single “Lay It On Me”

by Kelly McCafferty Dorogy
Posts pagination
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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