• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
13 Reasons Why © Netflix
Essays, MusicMay 25, 2017<June 1, 2017

Editorial: Songs That Should Have Made the ’13 Reasons Why’ Soundtrack

by Kevin Young
Rocket - (Sandy) Alex G
Our Take, ReviewsMay 25, 2017<May 25, 2017

Our Take: (Sandy) Alex G Is Restless and Uninhibited in ‘Rocket’

by Shayna Chabrow
Suffer the Children © Jonathan Dy
Debut, Music, PremieresMay 25, 2017<May 25, 2017

Premiere: The Lonely Cry of Suffer the Children’s “Bear Witness”

by Mitch Mosk
Beach Tiger © Lindsey Harris Photography
Music, PremieresMay 25, 2017<January 2, 2019

Premiere: Beach Tiger’s “When You’re Lying There,” an Anthem of Love to the Little Things

by Mitch Mosk
Weekend Mountain Man - Former Faces still
Music, Music Videos, PremieresMay 25, 2017<May 25, 2017

Video Premiere: Former Faces Return to Nature on “Weekend Mountain Man”

by Josh Weiner
Asgeir © Columbia Records
Features, Interviews, MusicMay 24, 2017<May 24, 2017

Intimacy, Intention, and Afterglow: An Interview with Ásgeir

by Erika Kooda
Mr. Byrd © 2017
Debut, Music, PremieresMay 24, 2017<May 23, 2017

Premiere: Finding Solace in Deathless Devotion with Mr. Byrd’s “I’ll Never Let Go”

by Kelly Wynne
The Solars © 2017
Debut, Music, Music Videos, PremieresMay 23, 2017<May 23, 2017

Video Premiere: Home & Away in The Solars’ Dazzling “Goddess of the Suburbs”

by Mitch Mosk
Cutty Flam © 2017
Music, PremieresMay 23, 2017<May 23, 2017

Premiere: The Restless Dance of Cutty Flam’s “Continental Creep”

by Mitch Mosk
Steady Sun © 2017
Interviews, MusicMay 23, 2017<May 23, 2017

Indifferent World, Psychedelic Dream: A Conversation with Steady Sun

by Josh Weiner
James Vincent McMorrow © 2017
Music, Reviews, This Just InMay 23, 2017<May 23, 2017

This Just In: James Vincent McMorrow Finds “True Care”

by Nicole Almeida
Under The Milkyway... Who Cares? - Seasurfer
Music, Music Videos, PremieresMay 23, 2017<May 23, 2017

Video Premiere: The Dark & Dreamy Power of Seasurfer’s “Too Late for Goodbyes”

by Mitch Mosk
CHNNLL © 2017
Music, PremieresMay 22, 2017<May 22, 2017

Premiere: CHNNLL Flows Through Life, Time, & Memory on “The River”

by Mitch Mosk
Chris Cheveyo © 2017
Music, Music Videos, PremieresMay 22, 2017<May 22, 2017

Video Premiere: Chris Cheveyo Dreamily Opens Up in “A Letter”

by Mitch Mosk
BANKS "The Altar" © 2016
Columns, Music, Today's SongMay 22, 2017<May 22, 2017

BANKS Explores Love vs. Success with Aching & Poetic “Crowded Places”

by Kelly McCafferty Dorogy
Posts pagination
1 … 652 653 654 655 656 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services