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Love - Lana Del Rey artwork
Columns, Music, Today's SongFebruary 22, 2017<February 24, 2017

Today’s Song: Lana Del Rey Is Not Enough, but Young and in “Love”

by Kevin Young
phd - The Co Founder
Music, ReviewsFebruary 22, 2017<February 22, 2017

Review: The Co Founder is Mindful and Melancholy on ‘phd’

by Alex Killian
Coast Modern © Maeghan Donohue
Features, Interviews, MusicFebruary 21, 2017<February 21, 2017

Philosophical and Breezy: A Conversation with Coast Modern

by Nicole Almeida
Kaytranada © Liam McCrae
Columns, Music, Today's SongFebruary 21, 2017<February 21, 2017

Today’s Song: KAYTRANADA Flips NAO’s “Get to Know Ya” into a Heavenly Club Gem

by Sydney Sweeney
Stonefox © 2017
Columns, Music, Today's SongFebruary 20, 2017<March 8, 2018

Today’s Song: Chasing a New High in Stonefox’s “Dreamstate”

by Hannah Maire
Mothlight
Features, Music, PremieresFebruary 17, 2017<February 17, 2017

Exclusive Premiere: The Dazing Dream Pop Reverie of Mothlight’s “Laika”

by Mitch Mosk
Mulherin © 2017
Features, Interviews, MusicFebruary 17, 2017<February 17, 2017

Teamwork Makes the Dream Work: A Conversation with Mulherin

by Ethan Germann
Luxxury © Eli Green
Features, Music, PremieresFebruary 17, 2017<February 21, 2017

Exclusive Premiere: Daft Punk Meets Disco on Luxxury’s “Feel the Night”

by Danielle Evans
MisterWives © Mary Ellen Matthews
Music, ReviewsFebruary 17, 2017<March 10, 2017

Review: MisterWives’ Soulful Protest Anthem “Machine” Embraces Individuality

by Kelly McCafferty Dorogy
xMeKate © Sharlene Durfey
Debut, Features, Music, PremieresFebruary 16, 2017<February 28, 2017

Exclusive Premiere: Love, Loss, and ‘Expectation’ on XMeKate’s Stunning Debut EP

by Mitch Mosk
MUNA © Katie McCurdy
Debut, Music, Our Take, ReviewsFebruary 16, 2017<February 15, 2017

Our Take: MUNA’s “About U” LP is Emotive Pop with Political Prowess

by Alex Killian
Beach Tiger © Lindsey Harris Photography
Columns, Music, Today's SongFebruary 16, 2017<February 16, 2017

Today’s Song: The Deep, Doting Vibes of Beach Tiger’s Heartfelt “Dead of Night”

by Mitch Mosk
Jackson Boone © 2017
Features, Music, PremieresFebruary 15, 2017<February 15, 2017

Exclusive Premiere: The Spiritual Seduction of Jackson Boone’s “Mystic Winds”

by Mitch Mosk
Run the Jewels 3 © Timothy Saccenti 8
Music, Our Take, ReviewsFebruary 15, 2017<September 5, 2023

Our Take: Run the Jewels 3 is the Boldest, Most Urgent of the Lot

by Josh Weiner
Vince Staples © James W. Mataitis Bailey
Columns, Music, Today's SongFebruary 15, 2017<February 17, 2017

Today’s Song: “Bagbak,” Vince Staples’ Sinister Ode on Race Relations and Privacy

by Kevin Young
Posts pagination
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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