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The Captain's Son © 2017
Columns, Debut, Music, Today's SongFebruary 1, 2017<January 24, 2017

Today’s Song: The Captain’s Son’s “Walking Around Purposely” is the Hangover You Want to Have

by James Crowley
Grumpus © 2017
Features, Music, PremieresJanuary 31, 2017<January 31, 2017

Exclusive Premiere: Grumpus’ “Divides” Takes a Moment for Real Reflection

by Mitch Mosk
Slowdive © Ingrid Pop
Columns, Music, Today's SongJanuary 31, 2017<January 24, 2017

Today’s Song: On Slowdive’s First Song in 22 Years “Star Roving,” the All-Embracing Journey Perseveres

by K
Garrett Pierce © 2017
Features, Music, PremieresJanuary 30, 2017<January 30, 2017

Exclusive Premiere: A Stirring Empathy in Garrett Pierce’s “Get Me Out of This Place”

by Mitch Mosk
Chris McClenney © 2017
Debut, Music, Our Take, ReviewsJanuary 30, 2017<January 30, 2017

Our Take: Chris McClenney Proves His Promise on Debut EP “Portrait in Two”

by Alex Killian
Snakehips & MØ (source: Instagram)
Columns, Music, Today's SongJanuary 30, 2017<January 24, 2017

Today’s Song: Snakehips and MØ’s “Don’t Leave” Leaves Us Torn Dancing and Crying

by Urooj Ali Rizvi
Star Slinger © Michaela Selmani
Features, Interviews, MusicJanuary 27, 2017<January 27, 2017

Striving for More: A Conversation with Star Slinger

by Nicole Almeida
Fawns of Love (L-R): Jenny Andreotti, Joseph Andreotti © Joseph Andreotti
Features, Music, PremieresJanuary 27, 2017<January 27, 2017

Exclusive Premiere: Fawns of Love Capture Turmoil on Melancholy “Silly Boy”

by Mitch Mosk
Julia Michaels © Meredith Truax
Columns, Debut, Music, Today's SongJanuary 27, 2017<March 8, 2017

Today’s Song: Julia Michaels Has 99 “Issues” but Songwriting Ain’t One

by Kelly McCafferty Dorogy
Julien Baker © Nolan Knight
Music, ReviewsJanuary 26, 2017<January 26, 2017

Review: Julien Baker’s “Funeral Pyre” Finds Immaculate Beauty in Hollow Places

by Nicholas Anderson
Sleeptalkre © Nadine Berns
Debut, Features, Music, PremieresJanuary 26, 2017<January 26, 2017

Exclusive Premiere: Dance to the Pop Power of Sleeptalkre’s “Fractions” Ricca Vita Remix

by Mitch Mosk
Tash Sultana © 2017
Columns, Music, Today's SongJanuary 26, 2017<January 26, 2017

Today’s Song: Tash Sultana’s “Jungle” Redefines Rock and Roll

by Kelly Wynne
Joshua Radin © 2017
Features, Interviews, MusicJanuary 25, 2017<February 1, 2017

Acoustic Journal Entries: Joshua Radin’s Honest Fall

by Kelly McCafferty Dorogy
Shy Girls © Jaclyn Campanaro
Columns, Music, Today's SongJanuary 25, 2017<January 24, 2017

Today’s Song: Shy Girls Gains Perspective in the Midst of Loss on “Say You Will”

by Danielle Evans
Frederick the Younger © Danielle Elise Bartley
Features, Music, PremieresJanuary 24, 2017<January 25, 2017

Exclusive Premiere: Frederick The Younger Submit to Winter’s Spell on”Leaves Are Gone”

by Mitch Mosk
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Brand New

  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”

:: discover something new ::

Recent Posts

  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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