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The Visions © Jonathan Shugarman
Features, Music, PremieresDecember 27, 2016<December 27, 2016

Exclusive Premiere: The Hypnotic Waves and Sultry Thirst of The Visions’ “Oceans”

by Mitch Mosk
"Sparrows" - New Mystics
Columns, Debut, Music, Today's SongDecember 27, 2016<December 27, 2016

Today’s Song: New Mystics Sings for Freedom in Debut “Sparrows”

by Mitch Mosk
Spending All My Christmas with You - Tom Odell
Columns, Music, Today's SongDecember 26, 2016<December 26, 2016

Today’s Song: Tom Odell’s Cliché-Free “Spending All My Christmas with You”

by Christine Costello
Features, Music, PremieresDecember 22, 2016<December 22, 2016

Exclusive Premiere: Cult Class are Raw and Redolent on Self-Titled Debut

by Maggie McHale
Washington © 2016
Columns, Music, Today's SongDecember 22, 2016<December 20, 2016

Today’s Song: The Fight for Freedom in Washington’s “Saint Lo”

by Hannah Maire
Makeunder's Hamilton Ulmer © 2016
Music, PremieresDecember 21, 2016<December 21, 2016

Exclusive Premiere: Makeunder’s “Inevitable Conclusion” Gets an Akiyoshi Ehara Makeover

by Mitch Mosk
The Soonest © Olivia Lee
Features, Music, Premieres, VideoDecember 21, 2016<December 21, 2016

Exclusive Premiere: The Soonest’s Raw Reflection “My Thoughts Are Brave. My Words Are Slow.”

by Mitch Mosk
Vök © Eygló Gísla
Columns, Music, Today's SongDecember 21, 2016<April 27, 2017

Today’s Song: Lost in the Icy Beauty of Vök’s “Show Me”

by Erin Brown
iLLECTIVE © 2016
Features, Interviews, MusicDecember 20, 2016<December 20, 2016

No Genres, Just Vibes: A Conversation with iLLECTIVE

by Maggie McHale
Joyce Manor © 2016
Columns, Music, Today's SongDecember 20, 2016<December 20, 2016

Today’s Song: Joyce Manor’s Depressing Epiphany “Reversing Machine”

by James Crowley
QTY © Danny North
Features, Interviews, MusicDecember 19, 2016<December 19, 2016

Honesty, Hive Mind, and the Human Element: A Conversation with QTY

by Nicole Almeida
Emmit Fenn © 2016
Columns, Music, Today's SongDecember 19, 2016<December 19, 2016

Today’s Song: Emmit Fenn Suffers and Heals on “Blinded”

by Urooj Ali Rizvi
Sleeptalk "Indio, California" still
Features, Music, Music Videos, PremieresDecember 16, 2016<December 16, 2016

Exclusive Premiere: Sleeptalk’s Smile-Inducing “Indio, California”

by Mitch Mosk
K.Flay © Lauren Dukoff
Features, Interviews, MusicDecember 16, 2016<December 16, 2016

Crushing the Genre: A Conversation with K.Flay

by Kelly Wynne
Aztec Sun perform "No Time for Love"
Atwood x LiveSyphon, Columns, Music, VideoDecember 16, 2016<December 16, 2016

Atwood Magazine and LiveSyphon Present: AZTEC SUN’s Freedom Funk

by Connor Bush
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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