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Elliot Moss © Drew Reynolds
Columns, Music, Today's SongMay 31, 2017<May 31, 2017

Today’s Song: Floating in a Closed Loop of Elliot Moss’ “Boomerang” / “My Statue Sinking”

by Mariel Fechik
Fritz Montana © 2017
Music, PremieresMay 30, 2017<May 30, 2017

Premiere: Fritz Montana’s Raw “Blood on My Lip” Captures Human Imperfection

by Mitch Mosk
Bedroom EP - Mabel
Debut, Music, Our Take, ReviewsMay 30, 2017<May 30, 2017

Our Take: Mabel’s ‘Bedroom’ EP is an Even-Paced Introduction to R&B’s Brightest Newcomer

by Sydney Sweeney
Neighbourhoods Pt.2 - FAIRCHILD still
Music, Music Videos, PremieresMay 30, 2017<May 30, 2017

Premiere: The Dark Vibes & Chilling Lies of FAIRCHILD’s “Neighbourhoods Pt.2”

by Mitch Mosk
Russ © Columbia Records
Columns, Music, Today's SongMay 30, 2017<May 30, 2017

Today’s Song: In an Age of Oversaturated Hip-Hop, Russ Finds his Own Lane on “Ride Slow”

by Watts
James Vincent McMorrow © AllPoints
Music, Our Take, ReviewsMay 26, 2017<May 26, 2017

James Vincent McMorrow’s True Care: A Track-by-Track Review

by Atwood Magazine Staff
Boston Calling 2017
Features, Festival, Music, News, PreviewsMay 26, 2017<June 1, 2017

(Y)Our Guide to Boston Calling Music Festival, May 2017

by Mitch Mosk
Adaline © 2017
Music, Music Videos, PremieresMay 26, 2017<May 26, 2017

Video Premiere: Adaline’s Achingly Raw “How Could We Know”

by Mitch Mosk
Frozen Falls
Debut, Music, PremieresMay 26, 2017<May 25, 2017

Premiere: Frozen Falls Debut with Dark Passion on “Frozen Arrows”

by Mitch Mosk
Bones, Hold Me Up - Tyler Sjöström
Music, PremieresMay 26, 2017<August 19, 2019

EP Premiere: The Spirit & Passion of Tyler Sjöström’s ‘Bones, Hold Me Up’

by Mitch Mosk
Find Yourself - Great Good Fine Ok & Before You Exit
Features, Music, Reviews, This Just InMay 26, 2017<May 26, 2017

This Just In: The Passionate Plea of “Find Yourself” by Great Good Fine Ok & Before You Exit

by Mitch Mosk
vivienne chi © 2017
Debut, Features, Music, PremieresMay 26, 2017<May 24, 2017

Premiere: Vivienne Chi Debuts “Vivienne” with Pain, Passion, and Fury

by Mitch Mosk
Mallrat © 2017
Music, PodcastMay 25, 2017<May 25, 2017

Sugar High Podcast: An Hour with Australian Prodigy Mallrat

by Danny Carissimi
13 Reasons Why © Netflix
Essays, MusicMay 25, 2017<June 1, 2017

Editorial: Songs That Should Have Made the ’13 Reasons Why’ Soundtrack

by Kevin Young
Rocket - (Sandy) Alex G
Our Take, ReviewsMay 25, 2017<May 25, 2017

Our Take: (Sandy) Alex G Is Restless and Uninhibited in ‘Rocket’

by Shayna Chabrow
Posts pagination
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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