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Suffer the Children © Jonathan Dy
Debut, Music, PremieresMay 25, 2017<May 25, 2017

Premiere: The Lonely Cry of Suffer the Children’s “Bear Witness”

by Mitch Mosk
Beach Tiger © Lindsey Harris Photography
Music, PremieresMay 25, 2017<January 2, 2019

Premiere: Beach Tiger’s “When You’re Lying There,” an Anthem of Love to the Little Things

by Mitch Mosk
Weekend Mountain Man - Former Faces still
Music, Music Videos, PremieresMay 25, 2017<May 25, 2017

Video Premiere: Former Faces Return to Nature on “Weekend Mountain Man”

by Josh Weiner
Asgeir © Columbia Records
Features, Interviews, MusicMay 24, 2017<May 24, 2017

Intimacy, Intention, and Afterglow: An Interview with Ásgeir

by Erika Kooda
Mr. Byrd © 2017
Debut, Music, PremieresMay 24, 2017<May 23, 2017

Premiere: Finding Solace in Deathless Devotion with Mr. Byrd’s “I’ll Never Let Go”

by Kelly Wynne
The Solars © 2017
Debut, Music, Music Videos, PremieresMay 23, 2017<May 23, 2017

Video Premiere: Home & Away in The Solars’ Dazzling “Goddess of the Suburbs”

by Mitch Mosk
Cutty Flam © 2017
Music, PremieresMay 23, 2017<May 23, 2017

Premiere: The Restless Dance of Cutty Flam’s “Continental Creep”

by Mitch Mosk
Steady Sun © 2017
Interviews, MusicMay 23, 2017<May 23, 2017

Indifferent World, Psychedelic Dream: A Conversation with Steady Sun

by Josh Weiner
James Vincent McMorrow © 2017
Music, Reviews, This Just InMay 23, 2017<May 23, 2017

This Just In: James Vincent McMorrow Finds “True Care”

by Nicole Almeida
Under The Milkyway... Who Cares? - Seasurfer
Music, Music Videos, PremieresMay 23, 2017<May 23, 2017

Video Premiere: The Dark & Dreamy Power of Seasurfer’s “Too Late for Goodbyes”

by Mitch Mosk
CHNNLL © 2017
Music, PremieresMay 22, 2017<May 22, 2017

Premiere: CHNNLL Flows Through Life, Time, & Memory on “The River”

by Mitch Mosk
Chris Cheveyo © 2017
Music, Music Videos, PremieresMay 22, 2017<May 22, 2017

Video Premiere: Chris Cheveyo Dreamily Opens Up in “A Letter”

by Mitch Mosk
BANKS "The Altar" © 2016
Columns, Music, Today's SongMay 22, 2017<May 22, 2017

BANKS Explores Love vs. Success with Aching & Poetic “Crowded Places”

by Kelly McCafferty Dorogy
Harry Styles - Harry Styles
Debut, Features, Music, Reviews, RoundtableMay 19, 2017<June 29, 2024

Roundtable Discussion: A Review of Harry Styles’ Debut Album

by Atwood Magazine Staff
Mabel © Polydor
Debut, Features, Interviews, MusicMay 19, 2017<May 19, 2017

Romance, Storytelling, and the Theory of Forever: A Conversation with Mabel

by Sydney Sweeney
Posts pagination
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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