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Rich in Love - Afterlife Revival
Debut, Music, PremieresJune 6, 2017<June 6, 2017

Premiere: Afterlife Revival Debuts with Inspiring “Rich in Love”

by Mitch Mosk
Trü EP Cover Art
Debut, Music, PremieresJune 6, 2017<June 6, 2017

Premiere: Trü’s “Kirsti” Is More than a Silly Love Song

by Mitch Mosk
Siberian Traps © Walt Burns
Features, Music, Our Take, Premieres, ReviewsJune 6, 2017<June 24, 2017

Album Premiere: The Hypnotic Summer Drive of Siberian Traps’ Indicator

by Mitch Mosk
Sleep Good © Zane Ruttenberg
Music, PremieresJune 6, 2017<June 6, 2017

Premiere: The Dreamy Gauze of Sleep Good’s “Somewhere”

by Mariel Fechik
Mitski © Ebru Yildiz
Columns, Music, Today's SongJune 6, 2017<June 5, 2017

Today’s Song: Mitski Imagines Happiness on “A Burning Hill”

by Matilda Berke
Cat Delphi © Adam J Spinks @ Initiative Motion Pictures
Music, Music Videos, PremieresJune 5, 2017<June 5, 2017

Video Premiere: Cat Delphi’s “Message” Explores a Deeper Side of Life

by Mitch Mosk
Black Honey © Charlotte Patmore
Features, Interviews, MusicJune 5, 2017<June 5, 2017

The Joys of Creating and Being “Perfect Weirdos”: An Interview with Black Honey

by Lindsay Call
Kinky Love © 2017
Music, PremieresJune 5, 2017<June 5, 2017

Premiere: The Hazy Hypnosis of Kinky Love’s “Glamour Child”

by Mitch Mosk
Bonnaroo 2017 logo
Features, Festival, Music, News, PreviewsJune 5, 2017<June 24, 2017

Surviving the Farm: (Y)Our Music Guide to Bonnaroo 2017

by Baylee Less
Paramore © Fueled by Ramen
Columns, Music, Today's SongJune 5, 2017<March 2, 2025

Today’s Song: Paramore Retain Emo Mastery on “Idle Worship”

by Kendall Graham
Hopeless Fountain Kingdom - Halsey album art
Features, Music, Reviews, RoundtableJune 2, 2017<June 29, 2024

Roundtable Discussion: A Review of Halsey’s ‘Hopeless Fountain Kingdom’

by Atwood Magazine Staff
A Crow Looked At Me - Mount Eerie
Music, Our Take, ReviewsJune 2, 2017<June 2, 2017

Our Take: Mount Eerie Transmit Devastation with ‘A Crow Looked at Me’

by Lucas Koprowski
Secret Colours © 2017
Music, PremieresJune 2, 2017<June 2, 2017

Premiere: The Gravity of Secret Colours’ Love Song “Changes in Nature”

by Mitch Mosk
Isaac Sakima © Anna Partington
Features, Interviews, MusicJune 2, 2017<June 2, 2017

Inciting Sexually Inclusive Pop: A Conversation with SAKIMA

by Alex Killian
Marika Hackman © Steve Gullick
Music, ReviewsJune 2, 2017<June 6, 2024

Review: Marika Hackman is Bold and Unafraid in ‘I’m Not Your Man’

by Nicole Almeida
Posts pagination
1 … 659 660 661 662 663 … 736

Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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