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Thirdstory (from left to right): Elliott Skinner, Richard Saunders, and Ben Lusher
Debut, Music, Our Take, ReviewsJune 8, 2016<June 8, 2016

Our Take: Thirdstory’s Soul-Stirring “Searching” EP

by Brandon Payano
Frank Turner at Irving Plaza, © Mitch Mosk 2015
Features, Interviews, MusicJune 7, 2016<July 31, 2018

Music Is the End: A Conversation with Frank Turner

by Mitch Mosk
Niki & The Dove consists of Malin Dahlström and Gustaf Karlöf
Columns, Music, Today's SongJune 7, 2016<June 6, 2016

Today’s Song: Niki & The Dove’s “So Much It Hurts” Brings Back the Good Times We Never Had

by Julia Naman
Ethos - Levitation Room
Columns, Music, Today's SongJune 6, 2016<June 6, 2016

Today’s Song: Levitation Room Addresses Societal Pitfalls with “Strangers of Our Time”

by Erin Brown
Mimes of Wine
Features, Music, Music Videos, PremieresJune 3, 2016<June 3, 2016

Exclusive Premiere: Mimes of Wine’s Beautifully Mysterious “Birds of a Feather” and its Out-of-Focus Focus

by Mitch Mosk
These Wild Plains © Lisa Czech
Features, Festival, Interviews, MusicJune 3, 2016<June 3, 2016

Rugged and Plainsy or Wildly Plain? A Conversation with These Wild Plains

by Mitch Mosk
"Heartbreak Hi" - Avec Sans
Columns, Music, Today's SongJune 2, 2016<June 2, 2016

Today’s Song: Avec Sans Connects in “Heartbreak Hi”

by Lindsay Call
"Delilah" (The Odyssey – Chapter 8) - Florence and the Machine
Features, Music, Music Videos, ReviewsJune 2, 2016<June 2, 2016

Florence + The Machine Captivates with the Frailty and Beauty of Human Existence in “The Odyssey”

by Erin Brown
Scuzz Ortegé
Columns, Debut, Music, Today's SongJune 1, 2016<June 1, 2016

Today’s Song: Scuzz Ortegé Steps Up to Fight on Debut “Bodies”

by Mitch Mosk
Car Seat Headrest
Music, Our Take, ReviewsJune 1, 2016<June 1, 2016

Our Take: Car Seat Headrest’s ‘Teens of Denial’ is Anthemic Indie Rock at Its Best

by Ross Finney
Ariana Grande Dangerous Woman review 8.3
Music, Our Take, ReviewsMay 31, 2016<September 5, 2023

Our Take: Ariana Grande Pulls Off a Hat Trick with ‘Dangerous Woman’

by Josh Weiner
Earthquake Weather - Onsen
Debut, Features, Music, PremieresMay 31, 2016<May 12, 2020

Exclusive Premiere: Onsen’s “What Fortunes” at the Crossroads of Breakup

by Mitch Mosk
Boston Calling May 2016
Features, Festival, Music, News, PreviewsMay 27, 2016<December 10, 2024

(Y)Our Guide to Boston Calling Music Festival, May 2016

by Mitch Mosk
Sam Wills
Columns, Music, Today's SongMay 27, 2016<May 27, 2016

Today’s Song: Sam Wills’ Soulfully Cathartic Slow-Burn, “Light On Me”

by Brandon Payano
TUSKANY, a band from Belfast
Columns, Music, Today's SongMay 26, 2016<May 27, 2016

Today’s Song: Tuskany’s “Shapes” Shakes Up Indie Pop

by Lindsay Call
Posts pagination
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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