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Sky Chefs © Devin O'Brien
Features, Music, PremieresFebruary 14, 2017<February 15, 2017

Exclusive Premiere: Sky Chefs’ “Lucite Wands” Are Gone, But Terrific Chemistry Remains

by Josh Weiner
Valentine's Day 2017
Music, PlaylistsFebruary 14, 2017<February 22, 2017

Valentine’s Playlist: With Love, Atwood Magazine

by Atwood Magazine Staff
Arum Rae © 2017
Features, Music, Music Videos, PremieresFebruary 14, 2017<February 14, 2017

Exclusive Premiere: Arum Rae Loses and Finds Love in “Loners”

by Nicole Almeida
Cold War Kids are Nathan Willett, Matt Maust, Joe Plummer, Matthew Schwartz, and David Quon // © Dan Monick
Columns, Music, Today's SongFebruary 14, 2017<February 13, 2017

Today’s Song: Cold War Kids Bring a Hard Hitting Beat to a Love Song in “Love Is Mystical”

by Renae Weaver
Moor Hound © 2017
Features, Music, PremieresFebruary 13, 2017<February 10, 2017

Exclusive Premiere: Moor Hound’s “Happy All At Once” Crafts Rainy Day Warmth with Acoustic Intimacy

by Kelly Wynne
Lomelda © 2017
Columns, Music, Today's SongFebruary 13, 2017<February 10, 2017

Today’s Song: Lomelda’s “With You” Begins with Me and Ends with You

by Connor Bush
TeamMate © Shawn Corrigan
Debut, Features, Interviews, MusicFebruary 10, 2017<February 17, 2017

Celebrating the Second Phase: A Conversation with TeamMate

by K
Mother Mother © Raina and Wilson photography
Features, Music, Music Videos, PremieresFebruary 10, 2017<February 10, 2017

Exclusive Premiere: The Gut-Wrenching Push and Pull of Mother Mother’s “Baby Boy”

by Mitch Mosk
Raised in the Wild - 1 AMVRKA
Features, Interviews, Music, Music Videos, PremieresFebruary 10, 2017<February 10, 2017

Exclusive Premiere: 1 AMVRKA’s Debut “Raised in the Wild” Is an Anthemic Rallying Cry

by Mitch Mosk
Animal Eyes © Joshua Veldstra
Features, Music, Music Videos, PremieresFebruary 9, 2017<February 9, 2017

Exclusive Premiere: Animal Eyes Takes a Psychedelic Trip in “Guava”

by Danielle Evans
Rousseau © 2017
Debut, Features, Music, PremieresFebruary 9, 2017<February 14, 2017

Exclusive Premiere: Rousseau’s Haunting “Desert Road” and the Raw Pain of Change

by Mitch Mosk
Surf Rock is Dead © Jacqueline Harriet
Features, Interviews, MusicFebruary 9, 2017<February 9, 2017

Consistency, Creation, and Contentment: A Conversation with Surf Rock is Dead

by Maggie McHale
Ross Nicol © Alex Justice
Music, Music Videos, PremieresFebruary 9, 2017<February 9, 2017

Exclusive Premiere: Less Is More with Ross Nicol’s “I’ve Got You”

by Kelly McCafferty Dorogy
PodcastFebruary 8, 2017<February 8, 2017

The Tour Manager’s Guide: 3 Hours with Eli Maiman of Walk the Moon

by Danny Carissimi
Gianni Paci © 2017
Features, Music, Music Videos, PremieresFebruary 8, 2017<February 8, 2017

Exclusive Premiere: The Raw, Intimate Duality of Gianni Paci’s “Tonight’s The Night”

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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