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DeModa © 2016
Features, Music, PremieresNovember 23, 2016<November 28, 2017

Exclusive Premiere: The Synthetic Warmth of DeModa’s “Friend” FRND Remix

by Mitch Mosk
QTY © 2016
Columns, Debut, Music, Today's SongNovember 23, 2016<November 23, 2016

Today’s Song: QTY Find Solace in Friendship in “Rodeo”

by Nicole Almeida
The Mono LPs © 2016
Debut, Features, Interviews, MusicNovember 22, 2016<November 21, 2016

A New Take on “Classic” Rock: A Conversation with The Mono LPs

by Kelly Wynne
Blak Emoji © Nicole Brody
Debut, Features, Music, PremieresNovember 21, 2016<November 21, 2016

Exclusive Premiere: Blak Emoji’s “Velvet Ropes & Dive Bars,” a Snapshot of Modern Romance

by Mitch Mosk
Baby Queens © 2016
Features, Music, Music Videos, PremieresNovember 18, 2016<November 18, 2016

Exclusive Premiere: Baby Queens’ “Unite” Evokes Love and the Human Connection

by Mitch Mosk
The Japanese House © Danny North
Features, Interviews, MusicNovember 18, 2016<November 18, 2016

A Tidal Force: A Conversation with The Japanese House

by Nicole Almeida
Val Fleury © Eric Nelson
Debut, Features, Interviews, Music, Music Videos, PremieresNovember 18, 2016<November 18, 2016

Exclusive Premiere: Val Fleury’s Celebration of the Self on Debut “Rain Dancing”

by Mitch Mosk
In Light Of © 2016
Debut, Features, Music, PremieresNovember 17, 2016<November 17, 2016

Exclusive Premiere: Post-Rock Duo In Light Of Balance Vibes with Texture on “Little Treasures” EP

by Mitch Mosk
Drunken Masters © 2016
Features, Interviews, MusicNovember 17, 2016<November 17, 2016

Life’s a Party: Getting “Louder” with Drunken Masters

by Alex Killian
Armors © Lhoycel Teope
Columns, Music, Today's SongNovember 17, 2016<November 17, 2016

Today’s Song: Armors’ “Overdose” is a Healthy Dose of Reality

by Lindsay Call
Le Trouble © Le Petit Russe
Features, Music, Music Videos, PremieresNovember 16, 2016<November 17, 2016

Exclusive Premiere: Finding Destructive Relief with Le Trouble’s “How Was I to Know?”

by Alex Killian
Stanaj
Columns, Debut, Music, Music You Should Know, ReviewsNovember 16, 2016<November 15, 2016

Music You Should Know: Stanaj’s “The Preview” EP Will Leave You Ready for More

by Kelly McCafferty Dorogy
COIN © Zachary Gray
Atwood On Tour, Columns, Features, Interviews, MusicNovember 15, 2016<November 30, 2016

Caffeine, Small Talk, and New Music: Catching Up with COIN

by Mitch Mosk
Jon Bellion © Visionary Music Group
Columns, Music, Today's SongNovember 15, 2016<November 11, 2016

Today’s Song: Fakin’ Through High School in Jon Bellion’s “Morning in America”

by Erika Kooda
Leonard Cohen
Essays, Features, MusicNovember 14, 2016<November 14, 2016

I Told You When I Met You I Was a Stranger: A Tribute to Leonard Cohen

by Jon Hecht
Posts pagination
1 … 680 681 682 683 684 … 727

Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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