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Bloodboy © Milicent Hailes
Columns, Music, Music You Should KnowFebruary 8, 2017<February 8, 2017

Music You Should Know: Smart Pop Prevails in Bloodboy’s “Best of Bloodboy”

by Lindsay Call
Ray BLK © HL Brown
Columns, Music, Today's SongFebruary 8, 2017<February 8, 2017

Today’s Song: Ray BLK’s “Patience (Freestyle)” is a Candid, Old-School Take on Contemporary R&B

by Sydney Sweeney
All Things Blue © Erika Mugglin
Features, Music, PremieresFebruary 7, 2017<February 7, 2017

Exclusive Premiere: The Intimate Staying Power of All Things Blue’s “Milk and Honey”

by Mitch Mosk
PATV Splashh The Britany's tour poster 2017
Concerts, MusicFebruary 7, 2017<February 7, 2017

A Bunch of “Good Boys”: Public Access T.V., Splashh, and The Britanys at Schubas, Chicago

by Erika Kooda
Nothing Yet - Surf Curse
Columns, Music, Today's SongFebruary 7, 2017<February 6, 2017

Today’s Song: Surf Curse Run Through Life Dazed and Confused on “The Strange and the Kind”

by Shayna Chabrow
Strange Lot © 2017
Features, Music, PremieresFebruary 6, 2017<February 6, 2017

Exclusive Premiere: Strange Lot Comes to a Realization in “Gods & Clods”

by Nicole Almeida
2NE1 © 2017
Columns, Music, Today's SongFebruary 6, 2017<February 6, 2017

Today’s Song: K-Pop’s 2NE1 Bid a Solemn Farewell on “Goodbye”

by Kevin Young
Making Matters Worse - Le Trouble
Music, PremieresFebruary 3, 2017<February 3, 2017

Exclusive Premiere: An Emphasis on Catharsis in Le Trouble’s ‘Making Matters Worse’ LP

by Alex Killian
Expiration Date - Brett Gleason single cover
Features, Music, PremieresFebruary 3, 2017<February 3, 2017

Exclusive Premiere: “Expiration Date,” Brett Gleason’s Funeral Dirge for Lost Love

by James Crowley
Rosie Carney © Lisa Byrne
Columns, Music, Today's SongFebruary 3, 2017<January 21, 2020

Today’s Song: Of Self-Confession and Strength – Rosie Carney’s “Awake Me”

by Lindsay Call
Souvenir Driver © Heather Boyd
Features, Music, Our Take, ReviewsFebruary 2, 2017<February 2, 2017

Our Take: Souvenir Driver Present the 4 Stages of Grief on Powerful Anti-Trump EP

by Mitch Mosk
The xx © Laura Coulson
Music, Our Take, ReviewsFebruary 2, 2017<May 9, 2017

Our Take: The xx’s “I See You” Is a Noncommittal Surrender of Silence

by Sydney Sweeney
Emma White © 2017
Features, Music, PremieresFebruary 2, 2017<February 8, 2017

Exclusive Premiere: Emma White Brings an Intimate, Fresh Voice to Country-Pop

by Mitch Mosk
Car Seat Headrest © Matador Records
Columns, Music, Today's SongFebruary 2, 2017<September 14, 2024

Don’t Drink & Drive Please: Car Seat Headrest’s “Drunk Drivers/Killer Whales”

by Erika Kooda
Judah & the Lion © Chloe Horseman
Features, Interviews, MusicFebruary 1, 2017<February 1, 2017

Nothing but Authenticity and Folk Hop: A Conversation with Judah & the Lion

by Renae Weaver
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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