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Amara (formerly known as Viola Ellis)
Debut, Features, Music, Music Videos, PremieresJune 23, 2016<June 24, 2016

Exclusive Premiere: Amara Passionately Introduces Herself with “Only One”

by Maggie McHale
A Silent Film
Atwood On Tour, Columns, Concerts, Features, Interviews, MusicJune 23, 2016<June 22, 2016

A Flag in the Sand: A Silent Film’s Loud Awakening

by Mitch Mosk
Haux, aka Woodson Black
Columns, Music, Today's SongJune 22, 2016<June 22, 2016

Today’s Song: “Seaside,” Haux’s Cathartic Moment of Truth

by Mitch Mosk
The Shelters © Brantley Gutierrez
Debut, Music, Our Take, ReviewsJune 21, 2016<March 9, 2017

Our Take: Carved in Rock (n’ Roll), The Shelters’ Debut Album

by Lindsay Call
Missy Higgins © Cybele Malinowski 2015
Columns, Music, Music You Should KnowJune 20, 2016<June 20, 2016

Music You Should Know: Missy Higgins, The Dazzle from Oz

by Hannah Maire
MAALA - "Kind of Love" music video screenshot
Features, Interviews, MusicJune 20, 2016<June 21, 2016

That Lustful Kind of Love: A Conversation with MAALA

by Mitch Mosk
Rorie © Stephen Stonestreet
Debut, Features, Music, Music Videos, PremieresJune 17, 2016<June 17, 2016

Exclusive Premiere: Rorie’s “Storyteller” Sees Through Blind Love

by Mitch Mosk
Shadow of the City Music Festival 2016
Features, Festival, Music, News, PreviewsJune 17, 2016<June 17, 2016

(Y)Our Music Guide to Shadow of the City 2016

by Mitch Mosk
Debut, Features, Music, PremieresJune 16, 2016<June 16, 2016

Exclusive Premiere: Agelast Immortalizes Love on “A Different Time”

by Mitch Mosk
Haley Reinhart 2016
Concerts, Features, Interviews, MusicJune 15, 2016<June 15, 2016

“Better” Than Ever Before: A Conversation with Haley Reinhart

by Ethan Germann
Two Door Cinema Club
Editorials, Features, MusicJune 15, 2016<May 9, 2017

Editorial: Are We Ready for Two Door Cinema Club’s Return?

by Maggie McHale
I like it when you sleep, for you are so beautiful yet so unaware of it - The 1975
Features, Music, Our Take, ReviewsJune 14, 2016<May 9, 2017

The 1975’s I Like It When You Sleep… A Track-by-Track Review

by Natalie Harmsen
Screenshot from "Life Itself" by Glass Animals
Columns, Music, Music Videos, Today's SongJune 13, 2016<May 6, 2017

Today’s Song: Glass Animals and the Meaning of “Life Itself”

by Mitch Mosk
Northside Festival 2016 poster
Features, Festival, Music, News, PreviewsJune 10, 2016<June 10, 2016

(Y)Our Music Guide to Northside Festival 2016

by Mitch Mosk
Oli Hannaford
Columns, Music, Today's SongJune 10, 2016<June 10, 2016

Today’s Song: Oli Hannaford Keeps Breathing with “Lily”

by Maggie McHale
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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