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The Captain's Son © 2017
Columns, Debut, Music, Today's SongFebruary 1, 2017<January 24, 2017

Today’s Song: The Captain’s Son’s “Walking Around Purposely” is the Hangover You Want to Have

by James Crowley
Grumpus © 2017
Features, Music, PremieresJanuary 31, 2017<January 31, 2017

Exclusive Premiere: Grumpus’ “Divides” Takes a Moment for Real Reflection

by Mitch Mosk
Slowdive © Ingrid Pop
Columns, Music, Today's SongJanuary 31, 2017<January 24, 2017

Today’s Song: On Slowdive’s First Song in 22 Years “Star Roving,” the All-Embracing Journey Perseveres

by K
Garrett Pierce © 2017
Features, Music, PremieresJanuary 30, 2017<January 30, 2017

Exclusive Premiere: A Stirring Empathy in Garrett Pierce’s “Get Me Out of This Place”

by Mitch Mosk
Chris McClenney © 2017
Debut, Music, Our Take, ReviewsJanuary 30, 2017<January 30, 2017

Our Take: Chris McClenney Proves His Promise on Debut EP “Portrait in Two”

by Alex Killian
Snakehips & MØ (source: Instagram)
Columns, Music, Today's SongJanuary 30, 2017<January 24, 2017

Today’s Song: Snakehips and MØ’s “Don’t Leave” Leaves Us Torn Dancing and Crying

by Urooj Ali Rizvi
Star Slinger © Michaela Selmani
Features, Interviews, MusicJanuary 27, 2017<January 27, 2017

Striving for More: A Conversation with Star Slinger

by Nicole Almeida
Fawns of Love (L-R): Jenny Andreotti, Joseph Andreotti © Joseph Andreotti
Features, Music, PremieresJanuary 27, 2017<January 27, 2017

Exclusive Premiere: Fawns of Love Capture Turmoil on Melancholy “Silly Boy”

by Mitch Mosk
Julia Michaels © Meredith Truax
Columns, Debut, Music, Today's SongJanuary 27, 2017<March 8, 2017

Today’s Song: Julia Michaels Has 99 “Issues” but Songwriting Ain’t One

by Kelly McCafferty Dorogy
Julien Baker © Nolan Knight
Music, ReviewsJanuary 26, 2017<January 26, 2017

Review: Julien Baker’s “Funeral Pyre” Finds Immaculate Beauty in Hollow Places

by Nicholas Anderson
Sleeptalkre © Nadine Berns
Debut, Features, Music, PremieresJanuary 26, 2017<January 26, 2017

Exclusive Premiere: Dance to the Pop Power of Sleeptalkre’s “Fractions” Ricca Vita Remix

by Mitch Mosk
Tash Sultana © 2017
Columns, Music, Today's SongJanuary 26, 2017<January 26, 2017

Today’s Song: Tash Sultana’s “Jungle” Redefines Rock and Roll

by Kelly Wynne
Joshua Radin © 2017
Features, Interviews, MusicJanuary 25, 2017<February 1, 2017

Acoustic Journal Entries: Joshua Radin’s Honest Fall

by Kelly McCafferty Dorogy
Shy Girls © Jaclyn Campanaro
Columns, Music, Today's SongJanuary 25, 2017<January 24, 2017

Today’s Song: Shy Girls Gains Perspective in the Midst of Loss on “Say You Will”

by Danielle Evans
Frederick the Younger © Danielle Elise Bartley
Features, Music, PremieresJanuary 24, 2017<January 25, 2017

Exclusive Premiere: Frederick The Younger Submit to Winter’s Spell on”Leaves Are Gone”

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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