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Molly Moore © 2016
Features, Interviews, MusicNovember 3, 2016<November 3, 2016

Now You See Her: A Conversation with Molly Moore

by Nicole Almeida
Porches © Jessica Lehrman
Features, Music, ReviewsNovember 2, 2016<November 2, 2016

Diving into Porches’ Water EP

by Regan Wojick
Echos - Echos
Columns, Music, Today's SongNovember 2, 2016<November 2, 2017

Today’s Song: Echos’ “Take” Captures the Pain of Unrequited Love

by Mitch Mosk
Mattie Safer © 2016
Features, Music, Music Videos, PremieresNovember 1, 2016<February 13, 2017

Exclusive Premiere: Mattie Safer Shines a Light in “Whenever You’re Ready” Video

by Mitch Mosk
Rosechild © 2016
Columns, Music, Music Videos, Today's SongNovember 1, 2016<October 31, 2016

Today’s Song: Sparks Fly and Fade in Rosechild’s Bittersweet “Disco Fever”

by Lindsay Call
Luna Tides "Open Woods" album art
Features, Music, PremieresOctober 31, 2016<October 31, 2016

Exclusive Premiere: LUNA TIDES’ “What Comes Around” Bears Memory’s Glow

by Mitch Mosk
Wild Child © Courtney Chavanell
Concerts, MusicOctober 31, 2016<October 31, 2016

LIVE: Wild Child are Wild, Upbeat… and Children? in Chicago

by Erika Kooda
Springtime Carnivore © Julia Brokaw
Columns, Music, Today's SongOctober 31, 2016<October 31, 2016

Today’s Song: Echoes of Growth and Self-Worth in Springtime Carnivore’s “Nude Polaroids”

by Tracy Smith
Youceff Kabal © 2016
Features, Music, PremieresOctober 31, 2016<October 31, 2016

Exclusive Premiere: Seeking Self on Youceff Kabal’s “A Way Out”

by Maggie McHale
The Watters perform "DNA"
Atwood x LiveSyphon, Columns, Features, Music, VideoOctober 28, 2016<October 28, 2016

Atwood Magazine and LiveSyphon Present: The Watters’ Unleashed Soul Rock Energy

by Mitch Mosk
Public Access T.V. © Jonah Freud
Music, Our Take, ReviewsOctober 28, 2016<October 28, 2016

Our Take: Public Access T.V. Take Back Wave in Debut ‘Never Enough’

by Lindsay Call
Mothlight
Columns, Music, Today's SongOctober 28, 2016<February 17, 2017

Today’s Song: Mothlight’s “Monarch” Embraces Artistic Integrity and Authenticity

by Mitch Mosk
The Magic Gang © Dan Kendall
Features, Music, ReviewsOctober 28, 2016<October 28, 2016

The Magic Gang: Brighton’s Decade-Jumping Boyband

by Christine Costello
Valley Hush © 2016
Debut, Features, Music, PremieresOctober 27, 2016<October 27, 2016

Exclusive Premiere: Valley Hush’s Catchy Debut Explores the Depths of Humanity and Sound

by Mitch Mosk
BAILEN
Features, Interviews, MusicOctober 27, 2016<August 7, 2019

Familial Ingenuity: A Conversation with BAILEN

by Maggie McHale
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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