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Acid Ghost
Features, Interviews, MusicSeptember 5, 2016<December 29, 2017

Being Warhol: A Conversation with Acid Ghost

by Nicole Almeida
Features, Interviews, MusicSeptember 2, 2016<September 1, 2016

Power Pop Synergy: A Conversation with Black Tie Stereo

by Maggie McHale
Future Generations © Arturo Olmos
Debut, Music, Our Take, ReviewsSeptember 2, 2016<August 31, 2016

Anxious Minds Think Alike: The Voice of Future Generations

by Christine Costello
Lorde
Columns, Music, Nostalgia TracksSeptember 1, 2016<August 31, 2016

Nostalgia Tracks: Lorde’s Teen Angst Anthem “Ribs”

by Regan Wojick
Mothers band
Features, Interviews, MusicSeptember 1, 2016<September 1, 2016

Getting Outside and Waking Up: A Conversation with Mothers

by Connor Bush
Freedom Fry © Michelle Shiers
Features, Interviews, MusicAugust 31, 2016<August 31, 2016

Duet Between Two Nationalities: A Conversation with Freedom Fry

by Nicole Almeida
INHEAVEN
Columns, Music, Music Videos, Today's SongAugust 31, 2016<August 31, 2016

Today’s Song: Love, Music, & Film Take Center Stage in INHEAVEN’s “All There Is”

by Lindsay Call
Cubits © Isaac Winkler
Debut, Features, Music, PremieresAugust 30, 2016<August 30, 2016

Exclusive Premiere: Iowa’s Cubits Hypnotize on Debut “Oh Well That Ends Well”

by Mitch Mosk
Maty Noyes © Tony Duran
Debut, Features, Interviews, MusicAugust 30, 2016<September 9, 2016

Past and Present: A Conversation with Maty Noyes

by Ethan Germann
St Paul and the Broken Bones © David McClister
Columns, Music, Today's SongAugust 29, 2016<September 9, 2016

Today’s Song: St. Paul & The Broken Bones Challenge Apathy on “All I Ever Wonder”

by Mitch Mosk
Jane's Party - live at Niagara On The Lake, August 2016 // © Shannon Ruzgys
Features, Interviews, Music, PremieresAugust 29, 2016<August 29, 2016

Old Friends and New Sounds: A Conversation with Jane’s Party

by Shannon Ruzgys
"Fake It" - Bastille
Columns, Music, Today's SongAugust 26, 2016<August 23, 2016

Today’s Song: Bastille Ponders Real Love on “Fake It”

by Natalie Harmsen
Glass Animals © Neil Krug
Features, Interviews, MusicAugust 25, 2016<March 22, 2017

The Musician’s Guide to Human Beings: A Conversation with Glass Animals

by Mitch Mosk
Belfast's Tuskany
Features, Music, PremieresAugust 25, 2016<August 23, 2016

Exclusive Premiere: Run Away with Tuskany in “Thursday”

by Lindsay Call
Savoir Adore © Dana Pacifico
Features, Interviews, MusicAugust 24, 2016<August 26, 2016

Finding “The Love That Remains” After Loss: A Conversation with Savoir Adore

by Regan Wojick
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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