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Savoir Adore © Dana Pacifico
Features, Interviews, MusicAugust 24, 2016<August 26, 2016

Finding “The Love That Remains” After Loss: A Conversation with Savoir Adore

by Regan Wojick
Future Soul © Kyle Gilbert
Features, Music, PremieresAugust 24, 2016<August 24, 2016

Exclusive Premiere: Future Soul’s “Faith” Seeks Light in the Dark

by Mitch Mosk
PHANGS // Jake Germany
Debut, Interviews, Music, PremieresAugust 24, 2016<August 23, 2016

Chasing a Feeling: Introducing PHANGS

by Maggie McHale
Hey Violet is Rena Lovelis, Nia Lovelis, Miranda Miller, and Casey Moreta
Features, Interviews, MusicAugust 23, 2016<March 2, 2025

Love, Pop, and Brand New Moves: A Conversation with Hey Violet

by Mitch Mosk
Screengrab from "No Pain" by Emily Blue
Debut, Music, Music Videos, PremieresAugust 22, 2016<December 5, 2017

Exclusive Premiere: Finding Strength in Emily Blue’s “No Pain”

by Atwood Magazine Staff
YJY © Nick Matsas
Features, Music, PremieresAugust 19, 2016<August 19, 2016

Exclusive Premiere: YJY’s “The Same Noise” EP Reinvigorates Surf-Punk

by Ross Finney
Sleepy Kitty is Paige Brubeck and Evan Sult // © Mr. Iozo
Features, Interviews, MusicAugust 19, 2016<August 19, 2016

Capturing Moments of Flux: A Conversation with Sleepy Kitty

by Erin Brown
California - blink-182
Essays, Features, Music, ReviewsAugust 18, 2016<August 18, 2016

blink-182’s California: The Good, The Bad, and The Comeback

by Shannon Ruzgys
Fake Boyfriend © Alex Udowenko
Columns, Debut, Music, Music You Should KnowAugust 18, 2016<August 18, 2016

Music You Should Know: Revisiting Fake Boyfriend’s ‘Mercy’ EP

by Connor Bush
Wages "Rattlesnake" still
Features, Music, Music Videos, PremieresAugust 18, 2016<August 18, 2016

Exclusive Premiere: Wages’ “Rattlesnake” Copes with Pain in Darkness

by Mitch Mosk
VARSITY © Nick Matsas
Features, Interviews, MusicAugust 17, 2016<August 17, 2016

Escaping the Obvious and Reaching People: A Conversation with VARSITY

by Nicole Almeida
NEEDTOBREATHE © Eric Ryan Anderson
Music, Our Take, ReviewsAugust 17, 2016<August 17, 2016

Our Take: On “Hard Love,” NEEDTOBREATHE Deliver a Powerful Message

by Renae Weaver
Bon Iver "10 d E A T h b R E a s T ⚄ ⚄" still
Columns, Music, Today's SongAugust 16, 2016<October 17, 2016

Today’s Song: Love and Fear Wrestle on Bon Iver’s “10 d E A T h b R E a s T ⚄ ⚄”

by Olivia Seville
Ptarmigan 2016
Features, Music, PremieresAugust 16, 2016<August 16, 2016

Exclusive Premiere: Ptarmigan Take Flight on “O Zephyr”

by Kaitlyn Zorilla
Broods is Georgia and Caleb Nott
Features, Interviews, MusicAugust 15, 2016<August 29, 2016

Bigger, Bolder, and ‘Conscious’: A Conversation with Broods

by Mitch Mosk
Posts pagination
1 … 700 701 702 703 704 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Weekly Roundup
    • Music You Should Know
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