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Debut, Music, PremieresDecember 22, 2015<December 22, 2015

Exclusive Premiere: The Rhythmic Jocosity of Cool Dads’ “Jeff’s Party” [Part 1/5]

by Maggie McHale
Columns, Debut, Music, Music You Should KnowDecember 21, 2015<December 21, 2015

Music You Should Know: The Duality of Brittany Howard as “Thunderbitch”

by Ethan Germann
Columns, Music, Today's SongDecember 17, 2015<December 17, 2015

Today’s Song: BRÅVES’ Dark, Haunting, and Beautiful “Dust”

by Mitch Mosk
fieu
Columns, Music, Today's SongDecember 10, 2015<December 10, 2015

Feisty Sprint Towards Empowerment in Fieu’s “RUNNING”

by Hannah Maire
Verite
Features, Interviews, MusicDecember 4, 2015<December 4, 2015

Shifting Into Life: A Conversation with VÉRITÉ

by April Salud
The Royal Concept © Danny Rush 2015
Atwood On Tour, Columns, Concerts, Features, Interviews, MusicDecember 2, 2015<December 2, 2015

Connected to the People: No Barriers with The Royal Concept

by Mitch Mosk
Screenshot from "Top" by HØØNCH
Columns, Debut, Music, Music You Should KnowNovember 25, 2015<November 25, 2015

Music You Should Know: HØØNCH’s “Top” is Meaningful Pop

by Mitch Mosk
IYES
Columns, Music, Reviews, Today's SongNovember 20, 2015<November 20, 2015

“Can’t Feel My Face”: Even Better as a Duet?

by Josh Weiner
Atwood in Focus: New Music, 11/20/2015
NewsNovember 20, 2015<November 20, 2015

Atwood In Focus: November 20th New Music

by Atwood Magazine Staff
Riley Pearce Brave
Columns, Music, Today's SongNovember 19, 2015<November 19, 2015

Today’s Song: The Heartwrenching Tones within Riley Pearce’s “Brave”

by Hannah Maire
Alessia Cara © Meredith Truax
Debut, Music, Our Take, ReviewsNovember 19, 2015<November 19, 2015

Our Take: Alessia Cara Is a Rebellious Wallflower On “Know-It-All”

by Natalie Harmsen
Jamie N Commons
Atwood On Tour, Columns, Debut, Features, Interviews, MusicNovember 18, 2015<December 2, 2015

Redefining Rugged: A Rumble with Jamie N Commons

by Mitch Mosk
Gallant Weight In Gold
Columns, Music, Today's SongNovember 17, 2015<November 17, 2015

Today’s Song: Gallant Defies Gravity with “Weight in Gold”

by Ethan Germann
FIDLAR
Atwood On Tour, Columns, Interviews, MusicNovember 16, 2015<July 21, 2021

Punk, Rock, and Rehab: A Conversation with FIDLAR

by Mitch Mosk
What's Inside: Songs from Waitress - Sara Bareilles 8.7
Music, Our Take, ReviewsNovember 13, 2015<September 5, 2023

What’s Inside? Another Round of Great Fun from Sara Bareilles

by Josh Weiner
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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