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Music, NewsDecember 23, 2014<June 19, 2015

Atwood’s Picks: December 2014

by Liza
Features, Interviews, MusicDecember 17, 2014<December 31, 2014

A Conversation with Andy Bull

by Cristina
Concerts, Music, ReviewsDecember 17, 2014<September 23, 2015

A Night At The Plaza, feat. New Politics & Bad Suns

by Mitch Mosk
Debut, Music, ReviewsDecember 15, 2014<March 2, 2025

Holla! Sinclair’s “Sweet Talk” EP is Passionate Indie Pop

by Mitch Mosk
KONGOS Vancouver Press Photo High Res 9.4.14
Music, Today's SongDecember 14, 2014<December 14, 2014

Today’s Song: “I’m Only Joking” – KONGOS

by Mitch Mosk
Music, Today's SongDecember 11, 2014<December 11, 2014

Today’s Song: “Kerosene” – Kapitals

by Mitch Mosk
Columns, Concert Conversations, Concerts, Music, ReviewsDecember 10, 2014<December 10, 2014

Concert Conversations: Iron and Wine at the Adelphi

by Christian
Music, Today's SongDecember 10, 2014<December 10, 2014

Today’s Song: “Late” – Jungle Doctors

by Mitch Mosk
Music, Today's SongDecember 9, 2014<December 11, 2014

Today’s Song: “Whiskey Bar” – Echotape

by Mitch Mosk
Columns, Music, Pop Matters, ReviewsDecember 8, 2014<December 5, 2017

Underneath Swift’s Wildest Dreams

by Kelly McCafferty Dorogy
Hozier at Irving Plaza, 11/5 9.8
Concerts, Music, ReviewsNovember 9, 2014<May 18, 2025

Folking Beautiful: Hozier and James Bay at Irving Plaza, NY

by Mitch Mosk
Music, Pop MattersNovember 9, 2014<September 24, 2015

Hozier Rocks SNL

by Kelly McCafferty Dorogy
Interviews, MusicNovember 6, 2014<November 9, 2014

A Conversation with Kalmia Traver of Rubblebucket

by Charlotte
ArtOctober 30, 2014<January 23, 2023

A Conversation With Adam Vinson

by Julianna Toth
Concerts, Music, ReviewsOctober 29, 2014<October 29, 2014

Panda Bear at The Jefferson

by Molly Golski
Posts pagination
1 … 717 718 719 720 721 … 726

Brand New

  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’

:: discover something new ::

Recent Posts

  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
  • Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable” March 28, 2026
  • Atwood Magazine’s Weekly Roundup: March 27, 2026 March 27, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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