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Western Scene © 2015
Music, Premieres, ReviewsOctober 20, 2015<October 18, 2015

Exclusive Premiere: Western Scene Gives Us Something to “Believe” In

by Mitch Mosk
Le Rug
Music, Premieres, ReviewsOctober 19, 2015<October 19, 2015

Exclusive Premiere: Le Rug Drop a Pop “Bomb”

by Ross Finney
Music, Today's SongOctober 16, 2015<October 16, 2015

Today’s Song: Beirut Lightens Up With “Gibraltar”

by Ali
Atwood in Focus: New Music, 10/16/2015
NewsOctober 16, 2015<November 2, 2015

Atwood In Focus: October 16th New Music

by Atwood Magazine Staff
Xprime
Columns, Music, Today's SongOctober 15, 2015<October 15, 2015

Today’s Song: The Push and Pull of Xprime’s “All to Myself”

by Storie Serres
KStewart
Columns, Music, Today's SongOctober 14, 2015<October 14, 2015

Today’s Song: Learn to Take Control with KStewart’s “Ain’t Nobody”

by April Salud
Ought © Victoria Davis
Music, Our Take, ReviewsOctober 13, 2015<October 13, 2015

Our Take: Ought Revel in Ambiguity on “Sun Coming Down”

by Ross Finney
The Rare Occasions (from left to right): Luke Imbusch, Peter Stone, Brian McLaughlin, and Jeremy Cohen // credit: Jonas Meyer
Music, Premieres, ReviewsOctober 12, 2015<October 13, 2015

Exclusive Premiere: Chaotic Bliss on The Rare Occasions’ “An Actuary Retires”

by Mitch Mosk
Atwood in Focus: New Music, 10/9/2015
NewsOctober 9, 2015<October 9, 2015

Atwood In Focus :: October 9th New Music

by Atwood Magazine Staff
"Love Me" - The 1975
Features, Music, Reviews, This Just InOctober 8, 2015<March 7, 2017

The 1975 Get Funky with “Love Me”

by Mitch Mosk
Big Grams
Columns, Debut, Music, Today's SongOctober 8, 2015<October 8, 2015

Today’s Song: An Unlikely Marriage on Big Grams’ “Fell In The Sun”

by Maria Jackson
Features, Interviews, MusicOctober 7, 2015<October 7, 2015

Healing and Transcendence: A Conversation with decker.

by Maggie McHale
Wavves' Stephen 'Stevie' Pope (left) and Nathan Williams (right) // credit: Alexandra Gavillet
Columns, Music, Today's SongOctober 6, 2015<October 6, 2015

Today’s Song: Effervescent Angst on Wavves’ “My Head Hurts”

by Ross Finney
The Struts
Debut, Features, Interviews, MusicOctober 5, 2015<February 1, 2023

Success Smells Like… A Conversation With The Struts

by Mitch Mosk
Music, Our Take, ReviewsOctober 5, 2015<October 5, 2015

Our Take: CHVRCHES Go Gold with “Every Open Eye”

by April Salud
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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