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Music, Our Take, ReviewsJune 24, 2014<June 30, 2014

Our take: A Review of The Shin’s New Single “So Now What”

by Nitesh
Features, MusicJune 23, 2014<June 24, 2014

A conversation with Wafia

by Cristina
ArtJune 22, 2014<June 22, 2014

Kara Walker, ‘A Subtlety’

by Morgan
Essays, PhotographyJune 21, 2014<June 19, 2014

Veronika Gilková Editorial

by Liza
Wolf Alice
MusicJune 20, 2014<June 18, 2014

Heavenly Howls: Listen To Wolf Alice’s New EP

by Abigail
UncategorizedJune 19, 2014<April 16, 2020

Letter from the Editor

by Liza
Music, ReviewsJune 18, 2014<June 18, 2014

Our take: A Review of Alt-J’s New Single “Hunger of the Pine”

by Liza
ArtJune 17, 2014<June 19, 2014

the gallerist: a look at Tara Donovan

by Liza
Art, EventsJune 17, 2014<June 18, 2014

The Bushwick Collective: 3rd Annual Block Party

by Liza
Features, From The Zine, Interviews, MusicMay 26, 2014<June 18, 2014

Overcoming adversity: a conversation with Antoine from Girls in Hawaii

by Nitesh
Features, From The Zine, Interviews, MusicMay 26, 2014<June 18, 2014

Telling stories with music: a conversation with Zee Avi

by Nitesh
MusicMay 24, 2014<June 18, 2014

A Goddess Rising From the Sea: Listen to BANKS New Single “Drowning”

by Nitesh
A Solitary Moment by Alexandra Votsis
Essays, PhotographyMay 17, 2014<June 18, 2014

A Solitary Moment by Alexandra Votsis

by Liza
MusicMay 16, 2014<June 18, 2014

Review: “Deckchairs On The Moon” // Bipolar Sunshine

by Liza
Art, Features, InterviewsMay 16, 2014<June 18, 2014

Bridging robotics and emotion: a conversation with Erin Gee

by Nitesh
Posts pagination
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Brand New

  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva”

:: discover something new ::

Recent Posts

  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
  • Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable” March 28, 2026
  • Atwood Magazine’s Weekly Roundup: March 27, 2026 March 27, 2026
  • “Homegrown American Adventure”: HAPPY LANDING Turn Toward the Light on ‘Big Sun,’ a Bold and Expansive Folk Rock Triumph March 27, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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