Music, Premieres, ReviewsMarch 23, 2020<March 23, 2020 Album Premiere: Ester’s Visceral Sophomore Record ‘Turn Around’ Is a Turbulent Coming-of-Age Experience by Mitch Mosk
10 Debut, Music, Our Take, Reviews, Track-by-TrackMarch 19, 2020<December 15, 2020 Track-by-Track: Inside addy’s Beautifully Haunting, Introspective Debut ‘Eclipse’ by Mitch Mosk
7.5 Music, Our Take, ReviewsMarch 17, 2020<December 15, 2020 Our Take: Royce da 5’9″ Remains a Hip-Hop Megatalent on Eighth Album ‘The Allegory’ by Josh Weiner
8.1 Music, Our Take, ReviewsMarch 17, 2020<December 15, 2020 Sam Lee’s “Old Wow” Is Rooted in the Past, Yet Its Ecological Message Is Relevant and Tender by Tim Horwood
Debut, Features, Interviews, MusicMarch 16, 2020<March 16, 2020 Interview: The World of Louis Prince Comes to Life on Debut Album ‘Thirteen’ by Lowndes Commander
Features, Interviews, MusicMarch 16, 2020<March 16, 2020 Interview: Yumi Zouma Tackle the Complexity of Life in 3rd Album ‘Truth or Consequences’ by Caitlin Ison
Debut, Features, Interviews, MusicMarch 13, 2020<March 13, 2020 Ever-Evolving, Figuring Things Out, and Reaching ‘Something Better’: A Conversation with Loose Buttons by Maggie McHale
Debut, Music, Reviews, Track-by-TrackMarch 13, 2020<March 12, 2020 Review: Jenny Dee Dazzles with Debut Album ‘Dancing from a Distance’ by Kelly McCafferty Dorogy
9 Music, Our Take, ReviewsMarch 11, 2020<December 15, 2020 Rooted in Cinema & Satire, Caroline Rose’s ‘Superstar’ is a Brilliant Ode to Unbridled Ambition by Tim Horwood
Music, Premieres, ReviewsMarch 11, 2020<March 11, 2020 Premiere: Micah McCaw Injects Urgent Energies into Dynamic Sophomore Album ‘Imbalances’ by Mitch Mosk
Debut, Features, Interviews, MusicMarch 9, 2020<March 9, 2020 Interview: Disq Discuss Debut Album ‘Collector’, a Midwestern Indie Portrait by Mariel Fechik
Music, ReviewsMarch 5, 2020<March 5, 2020 Review: AJJ Balance the Outlandish with the Sincere on ‘Good Luck Everybody’ by Nick Matthopoulos
Features, Interviews, Music, PremieresMarch 5, 2020<July 17, 2020 Samples, Sonnets, and the Surf-Punk Scene: A Conversation with The Frights by Lexi Lane
7.2 Music, Our Take, ReviewsMarch 3, 2020<December 15, 2020 Our Take: With ‘Father of All Motherfuckers’, the Middle-Aged Men of Green Day Prove They Are Still Young at Heart by Josh Weiner
8.6 Music, Our Take, ReviewsMarch 2, 2020<December 15, 2020 Our Take: Soccer Mommy’s ‘Color Theory’ Explores Darkness in Three Colors by Lowndes Commander
For the Love of Music
For the Love of Music
