Music, Music Videos, PremieresApril 21, 2026<April 21, 2026 “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom by Mitch Mosk
Interviews, Music, PremieresApril 21, 2026<April 22, 2026 “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness by Mitch Mosk
Interviews, Music, Today's SongApril 20, 2026<April 20, 2026 “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown by Mitch Mosk
Music, ReviewsApril 20, 2026<April 20, 2026 Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told by Miranda Urbanczyk
Concerts, Music, ReviewsApril 20, 2026<April 20, 2026 The Sound of Stillness: Samara Joy in Palo Alto by Ankita Bhanot
Debut, Features, Interviews, MusicApril 20, 2026<April 20, 2026 Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ by Nicolle Knapová
Columns, Music, Today's SongApril 19, 2026<April 18, 2026 “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song by Mitch Mosk
Columns, Music, Today's SongApril 18, 2026<April 18, 2026 Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream by Lauren Hicks
Columns, Features, Music, Weekly RoundupApril 17, 2026<April 18, 2026 Atwood Magazine’s Weekly Roundup: April 17, 2026 by Atwood Magazine Staff
Interviews, Music, Today's SongApril 17, 2026<April 17, 2026 “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral by Mitch Mosk
Features, Interviews, MusicApril 16, 2026<April 16, 2026 Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point by Damien Joyce
Music, Reviews, This Just InApril 16, 2026<April 16, 2026 “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye by Mitch Mosk
Concerts, Music, ReviewsApril 16, 2026<April 16, 2026 Live Review: Sophia Galaté Is Meant to Perform by Annaliese Baker
Columns, Music, Today's SongApril 16, 2026<April 16, 2026 “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss by Dusty Hayes
Interviews, Music, PremieresApril 16, 2026<April 16, 2026 “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection by Mitch Mosk
For the Love of Music
For the Love of Music
