Features, Interviews, MusicJanuary 13, 2022<March 7, 2023 A Thesis of Heat: The Lumineers Dive into Hopeful & Cathartic 4th Album ‘BRIGHTSIDE’ by Kelly McCafferty Dorogy
Music, Reviews, Track-by-TrackJanuary 13, 2022<January 13, 2022 An Emotional Awakening : A Track-by-Track Review of Nightshifts’ ‘Stir’ by Joe Beer
Features, Music, Reviews, Track-by-TrackJanuary 13, 2022<January 13, 2022 “Chaotic, Hopeful, & Defiant”: Inside Sammy Rae & The Friends’ Smile-Inducing ‘Let’s Throw a Party’ EP by Mitch Mosk
Columns, Editor's Picks, Features, MusicJanuary 12, 2022<February 7, 2022 Editor’s Picks 52: The Killers, Keir, Indoor Fins, FACESOUL, Oh Wonder, & fanclubwallet by Mitch Mosk
Music, Reviews, Track-by-TrackJanuary 11, 2022<January 11, 2022 A Deep Dive into Another Dimension: A Track-by-Track Review of Ebony Buckle’s ‘Disco Lasers’ by Joe Beer
Features, Music, Reviews, Track-by-TrackJanuary 11, 2022<January 11, 2022 “Love, Forgiveness, & Hope”: Inside Milan Ring’s Smoldering Debut Album ‘I’m Feeling Hopeful’ by Mitch Mosk
Interviews, MusicJanuary 10, 2022<January 10, 2022 Interview: LA’s Not From England Get Personal with Song Inspirations, Artists They Love, & New EP ‘for the second time’ by Chloe Robinson
Features, Interviews, MusicJanuary 10, 2022<January 7, 2022 Self-Made (Wo)Men: A Conversation with Larkin Poe by Ben Niesen
Features, Lists, MusicDecember 31, 2021<February 7, 2022 Atwood Magazine’s 2021 Songs of the Year by Atwood Magazine Staff
Features, Lists, MusicDecember 30, 2021<January 4, 2024 Atwood Magazine’s 2021 Albums of the Year by Atwood Magazine Staff
Features, Music, Reviews, Track-by-TrackDecember 22, 2021<December 23, 2021 “Reflective, Meandering & Honest”: Inside Foxtrails’ Sun-Soaked & Cinematic Sophomore LP ‘Kaweah’ by Mitch Mosk
Features, Music, Reviews, Track-by-TrackDecember 16, 2021<December 16, 2021 “Impassioned, Authentic, & Fresh” Inside elbé’s Stirring & Sweet Sophomore EP ‘Sonder’ by Mitch Mosk
Features, Music, Reviews, Track-by-TrackDecember 16, 2021<December 16, 2021 “The Living End”: Inside Sarah and the Sundays’ Radiant & Soaring Sophomore Album by Mitch Mosk
MusicDecember 15, 2021<December 15, 2021 Review: Dylan Sinclair Radiates Heartache and “Regrets” in Smoldering New Single by Mitch Mosk
Music, ReviewsDecember 15, 2021<December 15, 2021 Review: Soaking in the Wonder of Florian Ehrmann’s “Beautiful Day” by Mitch Mosk
For the Love of Music
For the Love of Music
