Music, Reviews, This Just InDecember 7, 2020<December 7, 2020 This Just In: Bleachers Create a Nostalgia-Laced Reverie with “chinatown” & “45” by Dalia
Music, Reviews, Track-by-TrackDecember 4, 2020<December 4, 2020 “Life Keeps Expanding”: Canyon City Goes Track-by-Track Through Intimate New EP ‘Circling the Sun’ by Mitch Mosk
Features, Interviews, Music, Reviews, Track-by-TrackDecember 4, 2020<January 30, 2025 Songs About Healing: Toronto’s Emanuel Dives into His ‘ALT THERAPY’ Project & ‘Session 2: Transformation’ by Mitch Mosk
Music, Reviews, This Just InDecember 4, 2020<December 4, 2020 This Just In: elkyn’s New Single “If Only It Was Alright Now” Is a Beautiful Rising Tempest by Mitch Mosk
Interviews, MusicDecember 4, 2020<February 24, 2025 A Conversation with George Holliday: Friendships, Creative Ties, & Memorable Music All “Made on the Road” by Josh Weiner
Interviews, MusicDecember 4, 2020<December 4, 2020 Interview: Jordana Dazzles Brightly on Sophomore Album ‘Something to Say to You’ by Lowndes Commander
Features, Interviews, Music, Reviews, Track-by-TrackDecember 3, 2020<December 3, 2020 “Vulnerable, Personal, Liberation”: Singer/Songwriter Duo Elevado Dive into Debut ‘Asheville’ EP by Mitch Mosk
MusicDecember 3, 2020<December 3, 2020 “Honest, Melancholic & Uplifting”: I SEE RIVERS Go Track-by-Track Through Enthralling Debut ‘Deep & Rolling Green’ by Mitch Mosk
Interviews, MusicDecember 3, 2020<December 3, 2020 Interview: Shamir Showcases Pop Rock Inspirations on Self-Titled Seventh Album by Atwood Magazine Staff
7 Music, Our Take, ReviewsDecember 3, 2020<December 18, 2020 Review: TWICE Court New Listeners & Old with Their Wildly Varied ‘Eyes Wide Open’ by Danny Vagnoni
Features, Music, Reviews, Track-by-TrackDecember 2, 2020<May 5, 2023 “Open, Passionate, & Smooth”: Tafari Anthony Stuns & Soars on ‘The Way You See Me’ EP by Mitch Mosk
Features, Interviews, MusicDecember 2, 2020<December 22, 2020 Interview: Pale Waves’ “Change” Anticipates an Album We’ve All Been Waiting For by Dimitra Gurduiala
Features, Music, Reviews, Track-by-TrackDecember 1, 2020<December 1, 2020 “Cathartic, Flowing, Togetherness”: Toronto’s Decoration Day Weave a ‘Makeshift Future’ on Debut Album by Mitch Mosk
8.7 Music, Our Take, ReviewsDecember 1, 2020<December 15, 2020 Our Take: No Thank You Chart Emotional & Sonic Depths on ‘Embroidered Foliage’ by Nick Matthopoulos
Features, Interviews, MusicDecember 1, 2020<September 5, 2022 Interview: Melody Gardot’s ‘Sunset in the Blue’, an Open Window Amongst Closed Doors by Ilana Kalish
For the Love of Music
For the Love of Music
