Music, Reviews, Track-by-TrackNovember 30, 2020<November 30, 2020 “Wistful, Hopeful, Transition”: Seattle’s Devin Sinha Dives into Cinematic 4th LP ‘Liminal Space’ by Mitch Mosk
Debut, Music, Reviews, Track-by-TrackNovember 30, 2020<November 30, 2020 Track-by-Track: Charlie Kaplan Meets Grief with Light in Debut Album ‘Sunday’ by Mitch Mosk
Features, Interviews, MusicNovember 27, 2020<November 27, 2020 Interview with Beans on Toast: Children’s Songs, Artificial Intelligence, & the End of the World by Diego Morales
Essays, Features, MusicNovember 25, 2020<November 24, 2020 On Her Side: How Cam’s “Diane” Changes Dolly Parton’s “Jolene,” and Fosters Feminist Solidarity by Erica Danielle Garcia
Features, Music, Reviews, Track-by-TrackNovember 24, 2020<December 1, 2020 Track-by-Track: Kathleen’s Intimate, Serene, & Cinematic ‘Kathleen II’ EP by Mitch Mosk
Features, Interviews, MusicNovember 24, 2020<November 24, 2020 Spillage Village & Quarantined Collaboration: A Conversation with Benji. by Ryan Feyre
Features, Interviews, MusicNovember 24, 2020<November 24, 2020 Interview: The Brazilian Warmth and Playful Escapism of Laure Briard’s “Eu Voo” by Frankie Rose
Debut, Features, Music, Reviews, Track-by-TrackNovember 23, 2020<November 23, 2020 Track-by-Track: Musti’s Debut ‘Qoyskayga’ Is an Energized Exploration of Identity by Frankie Rose
Music, ReviewsNovember 23, 2020<November 23, 2020 Review: The Millennial Club Find Themselves in Riveting & Reflective EP ‘Summer Nights’ by Erica Danielle Garcia
Features, Interviews, MusicNovember 23, 2020<November 23, 2020 Interview: Time Marches on with Ginger Root’s Third Album, ‘Rikki’ by Jesse Herb
Debut, Music, ReviewsNovember 23, 2020<November 23, 2020 Review: BK Pepper Creates Sprawling Musical Landscapes with Debut ‘Territories’ by Adrian Vargas
Music, Reviews, Track-by-TrackNovember 23, 2020<November 23, 2020 Track-by-Track: Creature Comfort Root for the ‘Home Team’ on Sweeping Sophomore Album by Mitch Mosk
Columns, Features, Music, Weekly RoundupNovember 20, 2020<December 4, 2020 Atwood Magazine’s Weekly Roundup: November 20, 2020! by Atwood Magazine Staff
8.6 Debut, Music, Our Take, Reviews, Track-by-TrackNovember 20, 2020<December 15, 2020 Track-by-Track: Elsa Birgitta Bekman’s Cinematic & Graceful Debut Album ‘Once in My Life’ by Mitch Mosk
Debut, Features, Music, Reviews, Track-by-TrackNovember 20, 2020<November 20, 2020 Track-by-Track: Hannah Grace’s Stunning Debut Album Is Her Homemade ‘Remedy’ by Mitch Mosk
For the Love of Music
For the Love of Music
