Music, ReviewsJuly 14, 2020<July 14, 2020 Review: ‘Heaven To A Tortured Mind’ Proves to Be Yves Tumor’s Magnum Opus by Ben Niesen
Features, Interviews, MusicJuly 14, 2020<July 9, 2020 Interview: Amy Shark’s Spirited “Everybody Rise” Is a Rousing Anthem for 2020 Action by Mitch Mosk
Music, ReviewsJuly 13, 2020<July 11, 2020 Review: Remi Wolf Is Whimsically Heartwarming in ‘I’m Allergic to Dogs!’ EP by Maggie McHale
Features, Music, Reviews, Track-by-TrackJuly 10, 2020<July 10, 2020 Feature: Little Kid Dive into the Depths of Their Spellbinding ‘Transfiguration Highway’ by Mitch Mosk
Columns, Music, Reviews, Today's Song, UncategorizedJuly 10, 2020<January 30, 2025 Avenue Beat’s Lowkey “F2020” Is the ‘F*** You’ Anthem of the Year by Mitch Mosk
Music, ReviewsJuly 10, 2020<July 10, 2020 Review: Mister & ialive Unite for Brief Thoughts on the Mundane Throughout ‘Sounds of Pets’ by Ryan Feyre
Music, ReviewsJuly 10, 2020<December 15, 2020 Review: The Beths Tackle the Dark Side of Living Your Dream on ‘Jump Rope Gazers’ by Oliver Crook
Interviews, MusicJuly 10, 2020<July 10, 2020 Interview: Many Beaches May Be Closed, But Iration’s New Album “Coastin'” Can Teleport You There by Josh Weiner
Music, ReviewsJuly 9, 2020<December 1, 2020 On Being Gone Forever: Phoebe Bridgers’ ‘Punisher’ as a Meditation on Death by James Crowley
Debut, Music, ReviewsJuly 9, 2020<July 9, 2020 Review: Clarence James’ Debut ‘Fucked Me Up’ Is DIY Heartbreak at Its Finest by Mitch Mosk
Music, ReviewsJuly 8, 2020<July 8, 2020 Review: ‘Nightwhisper’ Is a Solo Comeback to Admire for Veteran Electronica Star Jody Wisternoff by Josh Weiner
Debut, Features, Music, ReviewsJuly 8, 2020<July 8, 2020 Track-by-Track: Hazlett Injects Life’s Depths into Stirring, Intimate ‘Thundering Hopes’ EP by Mitch Mosk
8.5 Music, Our Take, ReviewsJuly 8, 2020<December 15, 2020 Our Take: HAIM Find Solace in LA & Each Other on ‘Women in Music Pt. III’ by Guest Writer
Features, Music, Reviews, RoundtableJuly 7, 2020<June 29, 2024 Roundtable Discussion: A Review of Lady Gaga’s ‘Chromatica’ by Atwood Magazine Staff
Features, Interviews, MusicJuly 7, 2020<July 6, 2020 Interview with Maisie Peters: Sensational Songwriting, Book Clubs, Live Shows, & Lockdown by Luke Pettican