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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Snoop Dogg & Raff Pylon © 2020
Columns, Music, Today's SongJanuary 6, 2021<January 5, 2021

Today’s Song: Raff Pylon & Snoop Dogg Give Us a “Christmas in California” Worth Celebrating

Columns, Music, Today's SongDecember 23, 2020<December 23, 2020

Today’s Song: Nebraska Rapper JVCKJ Spins Heartbreak into Moving Music on “You Lie”

Man on the Moon III: The Chosen - Kid Cudi 7.9
Music, Our Take, ReviewsDecember 17, 2020<December 17, 2020

Our Take: Kid Cudi Crafts a Fitting Final Chapter to His Trilogy with ‘Man on the Moon III: The Chosen’

Good News - Megan Thee Stallion 7.7
Debut, Music, Our Take, ReviewsDecember 16, 2020<December 16, 2020

Our Take: Megan Thee Stallion Swiftly Claims Dominance in the Rap World on Debut LP, “Good News.”

Interviews, MusicDecember 14, 2020<December 14, 2020

Interview: Nané Is an Energetic Texas Group with One Album in the Bag & Sights Set on Further Ambitions

Columns, Interviews, MusicDecember 10, 2020<December 9, 2020

A Conversation with Nu Deco Ensemble: An Innovative Orchestra Making Waves in Miami

Debut, Interviews, MusicDecember 8, 2020<December 8, 2020

Interview with Terrell Morris: Hip-Hop Up-and-Comer Gets Musical & Vulnerable on Eclectic Debut ‘Lavender’

George Holliday © 2020
Interviews, MusicDecember 4, 2020<February 24, 2025

A Conversation with George Holliday: Friendships, Creative Ties, & Memorable Music All “Made on the Road”

Interviews, MusicNovember 19, 2020<November 19, 2020

Interview: Young, Ambitious Midwestern Singer Shi la Rosa Gears Up For Forthcoming EP

Clipping © Cristopher Cichocki 8
Music, Our Take, ReviewsNovember 17, 2020<December 15, 2020

Our Take: Clipping. Come Out Swinging & Unsettling on ‘Visions of Bodies Being Burned’

Kasbo © Olof Grind
Interviews, MusicNovember 10, 2020<March 17, 2023

Interview with Kasbo: A Swedish EDM Producer Making Paracosms Like None Other

BLACKPINK © 2020 7.5
Debut, Music, Our Take, ReviewsNovember 4, 2020<December 15, 2020

Our Take: BLACKPINK Are Sure to Please International Crowds & Do South Korea Proud with ‘THE ALBUM’

Public Enemy © 2020 8
Music, Our Take, ReviewsOctober 29, 2020<December 15, 2020

Our Take: ‘What You Gonna Do When The Grid Goes Down?’ Is a Late-Career Triumph for Public Enemy

MusicOctober 26, 2020<October 26, 2020

Interview: Takuya Kuroda is Conquering the World’s Biggest Cities by Way of the Trumpet

Interviews, MusicOctober 23, 2020<October 23, 2020

“Loud, Brutal, Extreme, Unapologetic, Sexy, and with a Short Span of Attention”: An Interview with Olivia Anna Livki

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Recent Posts

  • Evann McIntosh’s “Mull It Over” Is a Tender Confessional Reveling in Lost Memories February 1, 2026
  • Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl” January 31, 2026
  • Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver! January 30, 2026
  • “All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy” January 30, 2026
  • “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History January 30, 2026
  • Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens January 29, 2026
  • “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” January 29, 2026
  • “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home January 29, 2026
  • “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ January 28, 2026
  • “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album January 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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