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Joe Beer

Joe Beer

Debut, Music, Reviews, Track-by-TrackMay 23, 2022<May 23, 2022

A Place to Belong: A Track-by-Track Review of MOONWOOD’s ‘Everything We Once Knew’

Cashma © 2022
Interviews, MusicMay 3, 2022<May 3, 2022

Interview: Cashma Paints the World Purple with the Final Installment of Her Trilogy

Interviews, MusicMarch 18, 2022<March 18, 2022

Interview: Sea Glass Speaks About New Music, Dream Collaborations, & Being a Dad

Interviews, MusicMarch 7, 2022<March 6, 2022

Interview: Ryan Meeking Speaks About Aussie Life, New Roots in London & New Music

The Moving Stills © Dave Mahon
Debut, Features, Interviews, MusicFebruary 16, 2022<February 16, 2022

Interview: The Moving Stills Open Up in Glistening Debut Album ‘Sunshine Corner’

Allan Rayman
Columns, Music, Today's SongFebruary 7, 2022<February 7, 2022

Today’s Song: Allan Rayman Breaks into New Realms with “Rider”

Music, Reviews, Track-by-TrackJanuary 13, 2022<January 13, 2022

An Emotional Awakening : A Track-by-Track Review of Nightshifts’ ‘Stir’

Music, Reviews, Track-by-TrackJanuary 11, 2022<January 11, 2022

A Deep Dive into Another Dimension: A Track-by-Track Review of Ebony Buckle’s ‘Disco Lasers’

The Velveteins © Evangeline Belzile
Columns, Music, Today's SongDecember 16, 2021<December 16, 2021

Today’s Song: The Velveteins Paint Color and Light in Hopeful New Track “Make It Through”

Johnny Ashby © 2021
Music, Reviews, Track-by-TrackDecember 13, 2021<December 13, 2021

Pure, Genuine, and Authentic: A Track-by-Track Review of Johnny Ashby’s ‘Time of Our Lives’

LAIKIPIA © 2021
Features, Music, Reviews, Track-by-TrackDecember 8, 2021<December 8, 2021

A Place Like No Other: A Track-by-Track Review of LAIKIPIA’s ‘All Hail Hyperion’

Music, ReviewsNovember 9, 2021<November 9, 2021

Review: Brother. Take Time to Reflect in Their Contemplative Album ‘Volume III’

Music, This Just InOctober 21, 2021<October 21, 2021

This Just In: Bishop Ivy Drops Cinematic Visuals for the Title Track off of His New EP ‘parasocial’

Columns, Music, Today's SongOctober 14, 2021<October 18, 2021

Today’s Song: Kitty Montague Admits “I Kissed You Politely” in Fiery Single

Columns, Music, Today's SongOctober 4, 2021<October 4, 2021

Today’s Song: Tommy Newport Goes Sweet as Hell With “Bubblegum”

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
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  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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