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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

JORDI - Maroon 5 7
Music, Our Take, ReviewsJune 24, 2021<June 23, 2021

Our Take: Maroon 5 Return with a Mostly Stellar Seventh Record on ‘JORDI’

Play With the Changes - Rochelle Jordan
Features, Interviews, MusicJune 22, 2021<June 21, 2021

Interview with Rochelle Jordan: A Toronto R&B Queen Re-Emerges in Stellar Style on ‘Play with the Changes’

Night Beats © Hamilton Boyce
Interviews, MusicJune 17, 2021<June 17, 2021

Interview: One-Man Band Night Beats Tests the Waters of ‘Outlaw R&B’ on Fifth LP

Interviews, MusicJune 15, 2021<June 15, 2021

Interview: Mat Zo Reflects on a Near-Decade of Transatlantic Electronica Production

John Splithoff © Lauren Jones
Debut, Interviews, MusicJune 11, 2021<June 11, 2021

Interview: John Splithoff Is ‘All In’ for His Next Career Phase As an LP-Maker

EXODUS 1:7 - DMX 7.5
Music, Our Take, ReviewsJune 10, 2021<June 10, 2021

Our Take: DMX Sounds His Final Bark on ‘EXODUS 1:7’

The Bitter Truth - Evanescence 8.3
Music, Our Take, ReviewsJune 8, 2021<June 8, 2021

Our Take: Evanescence Dazzle Like the Seasoned Rock Veterans They Are on ‘The Bitter Truth’

Love Truls © Linus Bertholdsson
Columns, Music, Today's SongJune 4, 2021<June 4, 2021

Today’s Song: Sweden’s Love Truls Displays Tender Feelings of Affection on “Tell Her”

Lycoriscoris © 2021
Interviews, MusicMay 13, 2021<May 13, 2021

Interview with Lycoriscoris: A Master EDM-Maker from Japan Delivers a Spellbinding Record with ‘Chiyu’

Jauz & HALIENE
MusicApril 22, 2021<August 3, 2021

With “Oceans & Galaxies,” Jauz & HALIENE Are Celebrating Earth Day in High EDM Style

Columns, Music, Today's SongApril 21, 2021<April 21, 2021

Today’s Song: Yuki Dreams Again Chases Girls & Delivers the Cross-Genre Goods on Third Single “Cold World”

MC Hammer
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

’90s Nostalgia Boys Rejoice! MC Hammer Is Back Again with “U Can’t Touch This 2”

Kurt Deemer Band
Music, ReviewsMarch 31, 2021<March 30, 2021

Review: Kurt Deemer Band Paint a ‘World Upside Down’ with Both Current & Pre-Pandemic Themes

Edwin Raphael © Gaelle Leroyer
Interviews, MusicMarch 23, 2021<March 23, 2021

A Conversation with Edwin Raphael: A Dubai Native Making Waves in Montreal with New EP ‘Staring at Ceilings’

Steve Brian © denn_is_art
Interviews, MusicMarch 23, 2021<March 23, 2021

Interview with Steve Brian: A ‘1986’ Offspring from Germany Delivers a Second Stunning Offering of EDM

Posts pagination
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Recent Posts

  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
  • “Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth December 12, 2025
  • “I Haven’t Heard That Sound Yet”: Copenhagen’s Barbro Premieres “What Men Do,” a Softly Smoldering Indie Folk Reckoning of Unlearning & Quiet Resistance December 11, 2025
  • “Dark, Romantic, & Disorienting”: Dead Gowns Channels Desire and Grief into an Indie Folk Storm on Debut Album ‘It’s Summer, I Love You, and I’m Surrounded by Snow’ December 11, 2025
  • “Fragile, Euphoric, & True”: Nick & June Craft a Cinematic Rebirth on ‘New Year’s Face,’ an Intimate Meditation on Who We Were, Who We Are, and Who We Might Become December 11, 2025
  • Review: Underbrook Burst onto the Scene with Explosive Pop-Punk Debut EP ‘Was Happiness Too Boring for You?’ December 11, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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