April 2, 2022<February 24, 2025 “I just wanna be a hot nerd, is that too much to ask?”: TATYANA on Her Relationship with Technology & Femininity by Guest Writer
April 1, 2022<April 1, 2022 Today’s Song: Lydia Clowes’ Dazzling Debut Single “Lose You” Dwells in the Vulnerability of True Intimacy by Mitch Mosk
March 31, 2022<March 31, 2022 Walter Martin’s Heartfelt “The Bear” Is an Autobiographical Song of Myth, Mystery, and Hope by Mitch Mosk
March 31, 2022<March 31, 2022 Essay: Agender’s Romy on Creating Sustainable Change within the Feminist Movement Through Solidarity & Empathy for All Women by Guest Writer
March 30, 2022<March 30, 2022 “Respect is a Well From Which Everyone Can Drink”: The Accidentals’ Sav Buist on Sexism in the Music Industry by Guest Writer
March 30, 2022<March 30, 2022 Essay: Christina Wheeler on Intersectionality in the Music Industry & Beyond by Guest Writer
March 30, 2022<March 30, 2022 “Adventures of a Super Weirdo”: LACES’ Jessica Vaughn on Being a Woman in Music by Guest Writer
March 29, 2022<March 29, 2022 Even Women in the Most Progressive Countries Are Fighting for Equality: Norway’s Live Miranda Solberg Reflects on Women’s History Month by Guest Writer
March 29, 2022<March 29, 2022 “Radical Acceptance”: Buffalo Rose’s Margot Jezerc on Youth & Womanhood by Guest Writer
March 28, 2022<March 28, 2022 Today’s Song: Sheffield’s lostboy Ditch the “Weight” in Soaring & Cinematic Anthem by Mitch Mosk
March 25, 2022<March 25, 2022 “Put Her Name in Your Mouth”: Cindy Emch on the Importance of Recognizing & Honoring Women in Music & Beyond by Guest Writer
March 25, 2022<March 25, 2022 Today’s Song: Carter Vail Soars on Sun-Soaked & Sweetly Seductive “Nancy Again” by Mitch Mosk
March 25, 2022<March 25, 2022 Atwood Magazine’s Weekly Roundup: March 25, 2022 by Atwood Magazine Staff
March 24, 2022<March 24, 2022 Today’s Song: KTJ & CARLY Tackle Entitlement in Empowering Anthem “Daddy’s Little Lawyer” by Mitch Mosk
For the Love of Music
For the Love of Music
