September 9, 2022<September 29, 2022 Atwood Magazine’s Weekly Roundup: September 9, 2022 by Atwood Magazine Staff
September 8, 2022<October 24, 2022 “Enough about me now…”: The 1975’s “Part of the Band” Is a Homecoming From an Ego Trip by Collin Leonard
September 7, 2022<April 30, 2023 Podcast: Tunes and Tumblers Cheers to flor and an Emergency Blanket by Atwood Magazine Staff
September 7, 2022<September 7, 2022 Today’s Song: Arctic Monkeys’ “There’d Better Be a Mirrorball” Is a Gentle Step in a New Direction by Lilly Eason
September 6, 2022<September 5, 2022 Today’s Song: “Pharmacist” Signals an Impressive, Long-Awaited Return for Alvvays by Beau Hayhoe
September 5, 2022<May 24, 2024 Today’s Song: Games We Play Delivers a Rebel Anthem with “Get a Job” by Kelly McCafferty Dorogy
September 2, 2022<September 1, 2022 Today’s Song: Kira McSpice Gives Herself Over to “Mirth” by Sophie Prettyman-Beauchamp
September 2, 2022<September 1, 2022 Atwood Magazine’s Weekly Roundup: September 2, 2022 by Atwood Magazine Staff
September 1, 2022<September 1, 2022 Today’s Song: The Intense Empowerment of Editors’ “Kiss” by David Buyze
August 31, 2022<August 31, 2022 Today’s Song: Reveling in MisterWives’ Cathartic and Catchy “Wrongside” by Kelly McCafferty Dorogy
August 30, 2022<August 30, 2022 Today’s Song: Indigo De Souza Finds Her Own Balance in “Hold U” by Nic Nichols
August 29, 2022<August 29, 2022 Today’s Song: The Emotional Encapsulation of Familial Adoration in Lisabel’s New Single “Flor de Louis” by Joe Beer
August 26, 2022<August 26, 2022 Atwood Magazine’s Weekly Roundup: August 26, 2022 by Atwood Magazine Staff
August 26, 2022<August 26, 2022 Today’s Song: The Howlers Unapologetically Have “Nothing to Lose” in Their Soaring New Single by Isabella Le
For the Love of Music
For the Love of Music
