March 11, 2023<April 30, 2023 Alaska Reid’s Dreamy “Back to This” Proves an Enchanting First Look at Debut Album, ‘Disenchanter’ by Mitch Mosk
March 10, 2023<April 30, 2023 “I’ve Signed Many NDAs, But None Like This”: An Essay by Sasha Atlas on the Finance & Music Industries for Women’s History Month by Guest Writer
March 10, 2023<April 30, 2023 Today’s Song: Follow Daisy Jones & The Six Down “The River” by Brianna Corrine
March 9, 2023<April 30, 2023 An Achingly Beautiful Adventure: Paige Su Pours Her Heart & Soul into New LP, ‘You’ll Live Forever in My Songs’ by Mitch Mosk
March 9, 2023<April 30, 2023 Review: Annie DiRusso’s Debut EP ‘God, I Hate This Place’ Is an Angst-Fueled Exploration of Identity by Claire Meyer
March 9, 2023<April 30, 2023 Premiere: Sohodolls Re-Write Their Viral “Bang Bang Bang Bang” In a Stand Against Gun Violence by Mitch Mosk
March 9, 2023<April 30, 2023 Today’s Song: Akira Galaxy Delivers an Ode to Lost Perspective in Captivating Debut, “Virtual Eyes” by Rachel Leong
March 9, 2023<April 30, 2023 “An Evolution of DMA’S”: Aussie Trio Discuss the Making of New Album, ‘How Many Dreams?’ by Guest Writer
March 9, 2023<April 30, 2023 Premiere: [mila] Defeat Toxic Obstacles with Energized Debut Single “Thuong Qua Is Vietnamese For I Love You” by Frankie Rose
March 8, 2023<March 10, 2023 Editor’s Picks 91: Marlene Oak, Aistè, Alaska Reid, Joy Oladokun, Bleach Lab, & BEL! by Mitch Mosk
March 8, 2023<April 30, 2023 Podcast: Tunes & Tumblers Features Transviolet and a Crashed Breath of Fresh Air by Atwood Magazine Staff
March 8, 2023<April 30, 2023 “Overcoming Mountains as a Woman in Music”: An Essay by Svetlana for International Women’s Day by Guest Writer
March 8, 2023<March 8, 2023 Celebrating Women in Music for International Women’s Day 2023! by Atwood Magazine Staff
March 8, 2023<April 30, 2023 Today’s Song: Billie Marten’s “Nothing But Mine” Is Wistful, Nostalgic, And Somehow, Hopeful by Kylie Gurewitz
March 7, 2023<April 30, 2023 Track-by-Track: Handsome Ghost Find the Beauty in the Cracks on ‘To the Place Where We Met Last,’ a Hauntingly Human EP by Mitch Mosk
For the Love of Music
For the Love of Music
![[mila] © Hunter Lenoir](https://atwoodmagazine.com/wp-content/uploads/2023/03/mila-©-Hunter-Lenoir-1a-370x247.jpeg)
