July 10, 2019<July 10, 2019 Emily Blue Embraces Imperfection in Fun, Frisky “Bad Decisions” by Mitch Mosk
July 10, 2019<July 10, 2019 Premiere: Inspired & the Sleep’s Dreamy “Getting Through” Is a Vulnerable Struggle by Mitch Mosk
July 10, 2019<October 20, 2019 Fighting for Love Makes Dermot Kennedy Feel “Outnumbered” by Kelly McCafferty Dorogy
8.2 July 9, 2019<December 15, 2020 Our Take: “Let’s Rock” Is a Comeback to Admire for Long-Dormant The Black Keys by Josh Weiner
July 9, 2019<April 30, 2023 Podcast: Tunes & Tumblers Take It on Down to the “Old Town Road” by Anthony Kozlowski
July 9, 2019<July 9, 2019 Premiere: Good Service’s Fuzzy “Summer Muses” Reflects on Drugs, Friendship, and Fulfillment by Mitch Mosk
July 9, 2019<July 9, 2019 Premiere: Jess Clinton’s Tender “Make It” Is a Light in the Dark by Mitch Mosk
July 9, 2019<July 10, 2019 Premiere: Approachable Members of Your Local Community Chase Dreams with “On + On” by Kelly McCafferty Dorogy
July 9, 2019<July 10, 2019 Premiere: Queen of Jeans Find Strength in Destruction with “Get Lost” by James Crowley
July 9, 2019<July 10, 2019 Premiere: The Sensual Delight of Lo Boii’s Tantalizing Song “Chakra” by Mitch Mosk
July 9, 2019<July 9, 2019 Today’s Song: Alexandra Savior Executes Her Revenge in “Crying All The Time” by Alicia Bugallo
July 8, 2019<July 8, 2019 Premiere: Heartache Reigns in Emily Hackett’s True Detective-Style “Easy” Music Video by Mitch Mosk
July 8, 2019<July 8, 2019 Finding the Constants Within Change: A Conversation with Charlie Cunningham by Luke Pettican
July 8, 2019<July 8, 2019 Michael Kiwanuka and Tom Misch Collaborate and It’s “Money” by Ilana Kalish