April 2, 2020<April 2, 2020 Interview with Dan Croll: Removing the Safety Net and Settling In by Maggie McHale
8.3 April 2, 2020<December 15, 2020 Our Take: Little Dragon’s ‘New Me, Same Us’ Is a Sublime Evolution by Danny Vagnoni
April 2, 2020<April 2, 2020 Today’s Song: Lithics Keep It Catchy, Minimal, & Disjointed on New Single “Hands” by Nick Matthopoulos
April 2, 2020<April 8, 2020 Breaking the Record with Roan Yellowthorn, Part 9: Artwork by Guest Writer
April 2, 2020<March 31, 2020 This Just In: Luz Astounds with the Devastatingly Beautiful “i’m lonely” by Luke Pettican
April 2, 2020<April 1, 2020 Premiere: Racoon Racoon Continue Their Eloquent Streak of Metaphorical Songwriting on “Deep Brown Eyes” by Ryan Feyre
March 31, 2020<April 5, 2020 Premiere: Cormac O Caoimh’s Poignant & Upbeat Ode “When My Kids Grow Too Old to Hold Hands” by Mitch Mosk
March 31, 2020<March 31, 2020 Premiere: DC Duo The Sweater Set Weave Sweet Folk & Romance into “Hostage” by Mitch Mosk
March 31, 2020<December 15, 2020 Acoustics, Electropop & Inner Turmoil Add up to Leila Sunier’s Successful Debut EP ‘If Only to Bleed Out the White Noise’ by Josh Weiner
March 31, 2020<March 31, 2020 Transporting to a Wistful World: Polartropica Dives into Debut Album ‘Dreams Come True’ by Chloe Robinson
March 31, 2020<March 30, 2020 Interview: Environment Is Sound for Brian Bradley and His New EP ‘Nocturnes’ by Coco Rich
March 31, 2020<March 31, 2020 Today’s Song: Waxahatchee’s “Can’t Do Much” Is an Apt Blend of Reality and Dreaminess by Frankie Rose
March 30, 2020<March 31, 2020 Heart, Soul, & Ignition: The Jacks’ ‘Remember You’ EP Is Pure 21st Century Indie Rock by Mitch Mosk
March 30, 2020<March 30, 2020 Interview: Minneapolis Collective Doomtree Re-Establish Their Genre-Defying Aesthetic on “Five Alive” by Ryan Feyre
March 30, 2020<March 30, 2020 Premiere: FERGUS’ Vulnerable & Bittersweet Song “All You’re Not” Unveils a Heavy, Aching Wound by Mitch Mosk
For the Love of Music
For the Love of Music
