February 22, 2019<June 29, 2024 Roundtable Discussion: A Review of Ariana Grande’s ‘thank u, next’ by Atwood Magazine Staff
February 22, 2019<March 1, 2019 Atwood Magazine’s Weekly Roundup: February 22, 2019 by Atwood Magazine Staff
February 22, 2019<February 22, 2019 Swindle & Kojey Radical’s “Coming Home” Is a Euphoric Triumph (and it Sounds Like One, Too) by Matthew Dunn
February 22, 2019<March 1, 2019 Premiere: Get It on with Josie Dunne’s Catchy Make Out Anthem “Mute” by Mitch Mosk
February 22, 2019<February 22, 2019 Our Take: Julia Jacklin’s ‘Crushing’ Is an Outstanding Example of Personal and Musical Growth by Adrian Vargas
February 21, 2019<February 21, 2019 EP Review: The Raw Rock Punch of Buddie’s Debut ‘Change of Scenery’ by Mitch Mosk
February 21, 2019<February 21, 2019 EP Review: The Dreamy, Dazzling Beauty of RKCB’s Intimate ‘Shores’ by Mitch Mosk
February 21, 2019<February 21, 2019 Premiere: The Joy and Trappings of Being “Famous” with Manatee Commune by Alex Killian
February 21, 2019<December 29, 2024 Tunes & Tumblers: Knock Back a Rusty Nail with The Last Internationale by Anthony Kozlowski
February 21, 2019<February 21, 2019 Premiere: Marina City’s Seductively Sweet “Addicted” by Mitch Mosk
February 21, 2019<February 21, 2019 Music You Should Know: Against All Logic, a Jaar by Another Name is Ever More Sweet by Ben Niesen
February 21, 2019<February 20, 2019 Today’s Song: Julia Michaels & Selena Gomez Open Up a Conversation About Mental Health with “Anxiety” by Alicia Bugallo
February 20, 2019<February 20, 2019 Premiere: Reverie, Rebirth & Reflection in A.U.R.A’s Enchanting “Immensely I” by Mitch Mosk
February 20, 2019<February 20, 2019 Album Premiere: Bruiser & Bicycle’s Delightfully Alternative ‘Woods Come Find Me’ by Mitch Mosk
February 20, 2019<February 20, 2019 Today’s Song: Taking Off the Rose-Colored Glasses of Youth with American Football’s “Uncomfortably Numb” by Adrian Vargas
For the Love of Music
For the Love of Music
