August 22, 2018<August 22, 2018 Premiere: Sonny Elliot’s Delicate “Broken Glasses” Glows with Unconditional Love by Mitch Mosk
August 22, 2018<August 22, 2018 Premiere: The Foreword Embrace Optimism in Bright Folk-Pop Debut “Made Up Misery” by Mitch Mosk
August 22, 2018<August 22, 2018 Premiere: Overcoming Inner Demons with Axel Flóvent’s Breathtaking “Years” by Mitch Mosk
August 22, 2018<August 22, 2018 Premiere: The Beautiful Torment of SVIBES’ “The Ra Ra Ra” & “Strange Vibes” by Mitch Mosk
August 22, 2018<August 29, 2018 Pop, Frivolity, & Attitude: A Review of The 1975’s “TOOTIMETOOTIMETOOTIME” by Atwood Magazine Staff
August 21, 2018<August 29, 2018 Ascending from Suburbia and Adolescence: A Conversation with Dizzy by Nicole Almeida
August 21, 2018<August 21, 2018 Premiere: Drifting Away in Ever More Nest’s Grounding Debut “Major Tom” by Mitch Mosk
August 21, 2018<August 21, 2018 Premiere: A Soul Exposed in Aidan Carroll’s Visceral “Misunderstood” by Mitch Mosk
August 21, 2018<August 21, 2018 Review: Beach Bunny Deserve a Crown for Nostalgic ‘Prom Queen’ EP by Abby Jones
August 21, 2018<April 13, 2020 Premiere: Finding Strength in Edward and Jane’s Folkicana Fight Song, “Hold Your Own” by Mitch Mosk
August 21, 2018<August 21, 2018 Premiere: The Heartbreaking Beauty of James Smith’s Acoustic “T-Shirts” by Mitch Mosk
August 21, 2018<June 29, 2024 Roundtable Discussion: A Review of Mitski’s ‘Be the Cowboy’ by Atwood Magazine Staff
August 20, 2018<August 20, 2018 Premiere: Zach Callison Barrels Through Heartache & Strain in “She Don’t Know” by Mitch Mosk
August 20, 2018<August 20, 2018 Premiere: Ian Fisher’s “Icarus” Flies with Sunlight and Sorrow by Audrey Steeves
August 20, 2018<August 20, 2018 LA’s Liily Debut “Toro” with Feverish Chaos and Hard Rock Fury by Mitch Mosk
For the Love of Music
For the Love of Music
