8 May 4, 2020<December 15, 2020 Our Take: Diners’ New Album ‘Leisure World’ Is Exactly What It Sounds Like by Nick Matthopoulos
9 May 1, 2020<December 15, 2020 Track-by-Track: A Stroll Through Sara Davis Regan’s ‘Riverland’ by Lowndes Commander
7 April 24, 2020<December 15, 2020 Our Take: Marlin’s Dreaming’s ‘Quotidian’ Is a Hazy & Shimmery Full-Length Offering by Nick Matthopoulos
9 April 23, 2020<December 15, 2020 Our Take: Rina Sawayama’s Debut LP ‘SAWAYAMA’ Is the Epitome of Brilliant & Badass Hyperpop by Lexi Lane
8.1 April 14, 2020<December 15, 2020 Our Take: Fans of Hip-Hop & Sci-Fi Will Enjoy the Expansive Thrills of Lil Uzi Vert’s Two-Part Release, ‘Eternal Atake’ by Josh Weiner
8.8 April 10, 2020<December 15, 2020 Our Take: STRFKR’s ‘Future Past Life’ Offers Refreshing Take on Electro-Centricity by Harper Beattie
7.9 April 10, 2020<August 16, 2021 Our Take: Niall Horan Brings Light to a Quiet World with Sophomore Album ‘Heartbreak Weather’ by Erica Danielle Garcia
8.9 April 7, 2020<December 15, 2020 Track-by-Track: Inside Michael Baker’s Achingly Beautiful Sophomore Album ‘Salt’ by Mitch Mosk
8.3 April 2, 2020<December 15, 2020 Our Take: Little Dragon’s ‘New Me, Same Us’ Is a Sublime Evolution by Danny Vagnoni
March 31, 2020<December 15, 2020 Acoustics, Electropop & Inner Turmoil Add up to Leila Sunier’s Successful Debut EP ‘If Only to Bleed Out the White Noise’ by Josh Weiner
9 March 30, 2020<December 15, 2020 Our Take: All Queue Up for the Party of the Year on Dua Lipa’s ‘Future Nostalgia’ by Josh Weiner
9.7 March 27, 2020<December 15, 2020 Feature: Delacey Dives into Her Grungy, Emotional, Messy Debut Album ‘Black Coffee’ by Mitch Mosk
March 26, 2020<December 15, 2020 Review: An Atmospheric Trip to Brazil with Ricardo Richaid’s ‘Travesseiro Feliz’ by Ben Niesen
March 25, 2020<March 25, 2020 Our Take: allie’s ‘Junior Coder’s Experiment’ EP Strives to See the Good in Existence by Lowndes Commander
10 March 19, 2020<December 15, 2020 Track-by-Track: Inside addy’s Beautifully Haunting, Introspective Debut ‘Eclipse’ by Mitch Mosk