November 18, 2019<December 4, 2019 Review: Glass Animals Still Got It on Fiery “Tokyo Drifting” ft. Denzel Curry by Audrey Steeves
November 15, 2019<November 14, 2019 Mokita Tackles Depression Head-On in Haunting Song “colorblind” by Mitch Mosk
November 14, 2019<November 14, 2019 Live Review: Clairo is a Force to Reckon With at Philadelphia’s Union Transfer by Nicole Almeida
November 14, 2019<December 17, 2020 Nostalgia Tracks: Vampire Weekend’s Pilgrimage on “Hannah Hunt” by Dalia
November 13, 2019<November 21, 2019 Review: So, Did Frank Ocean Just ‘Save’ 2019 with Three New Songs? by Urooj Ali Rizvi
November 11, 2019<November 11, 2019 Unapologetically Herself: Lauran Hibberd Rises & Rages with ‘Everything Is Dogs’ by Atwood Magazine Staff
7.3 November 8, 2019<December 15, 2020 Our Take: Kanye West Combines Hip-Hop and Gospel Surprisingly Well on ‘Jesus Is King’ by Josh Weiner
November 8, 2019<November 8, 2019 Transitions and the Memories They Bring: A Conversation with Sorcha Richardson by Adrian Vargas
November 8, 2019<April 21, 2020 Review: MisterWives’ ‘Mini Bloom’ EP Is Soul-Filled & Poetically Perfect by Kelly McCafferty Dorogy
November 5, 2019<November 5, 2019 Unveiling The Hackles’ Elegant Indie Folk Album ‘A Dobritch Did As A Dobritch Should’ by Mitch Mosk
October 31, 2019<March 2, 2025 The Cordial Sins Dive into Their High-Charged ‘In Memory’ EP by Mitch Mosk
October 28, 2019<October 28, 2019 Live Review: Shura Transports Philly’s Johnny Brenda’s into the World of Forevher by Nicole Almeida
October 28, 2019<October 28, 2019 Review: beabadoobee Breaks Bedroom Pop Bubble on Grunge-Inspired EP ‘Space Cadet’ by Harper Beattie
October 25, 2019<October 25, 2019 Review: Blaenavon’s Chaotically Human and Gorgeous ‘Everything That Makes You Happy’ by Nicole Almeida
October 25, 2019<October 24, 2019 Review: Dermot Kennedy Forges His Own Path on Debut Album ‘Without Fear’ by Erica Danielle Garcia
For the Love of Music
For the Love of Music
